"There is no flag large enough to cover the shame of killing innocent people"
About this Quote
Patriotism is supposed to be a moral spotlight; Zinn turns it into a tarp. “There is no flag large enough to cover the shame of killing innocent people” works because it attacks the oldest alibi in political life: the idea that national symbols can sanitize national violence. The line doesn’t argue policy details or battlefield necessity. It goes straight for the emotional mechanism that makes those arguments legible in the first place: reverence. The flag, normally a shorthand for sacrifice and collective identity, becomes an instrument of concealment. Zinn’s verb choice matters. You don’t “carry” or “raise” this flag; you “cover” with it. That’s the language of hiding a stain.
The subtext is a direct rebuke to wartime rhetoric that treats civilian deaths as regrettable bookkeeping. Zinn insists on “innocent people,” a phrase that collapses the convenient blur between combatants and bystanders and forces a moral accounting that states often dodge with euphemisms like “collateral damage.” By saying the shame can’t be covered, he’s also preempting the inevitable countercharge of disloyalty: the shame isn’t in criticizing the nation; it’s in what’s done in its name.
Contextually, the quote fits Zinn’s lifelong project as a historian-activist: prying open the gap between official narratives and lived consequences. Coming out of the Vietnam era and resonating through later wars, it speaks to how democracies recruit consent not only through fear, but through pageantry. Zinn’s point is blunt: symbols can rally, but they can’t absolve.
The subtext is a direct rebuke to wartime rhetoric that treats civilian deaths as regrettable bookkeeping. Zinn insists on “innocent people,” a phrase that collapses the convenient blur between combatants and bystanders and forces a moral accounting that states often dodge with euphemisms like “collateral damage.” By saying the shame can’t be covered, he’s also preempting the inevitable countercharge of disloyalty: the shame isn’t in criticizing the nation; it’s in what’s done in its name.
Contextually, the quote fits Zinn’s lifelong project as a historian-activist: prying open the gap between official narratives and lived consequences. Coming out of the Vietnam era and resonating through later wars, it speaks to how democracies recruit consent not only through fear, but through pageantry. Zinn’s point is blunt: symbols can rally, but they can’t absolve.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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