"There is no singing anymore, everything is yelling and shouting and rapping and that is real boring to a guy like me"
About this Quote
Bach’s complaint lands like a backstage rant caught on tape: less a neutral critique of technique than a defense of an entire rock worldview where melody is masculinity, craft, and credibility. “No singing anymore” isn’t literally true; it’s a provocation. He’s drawing a bright line between what his generation prized - big choruses, range, the theatrical strain of hair-metal vocals - and what he hears as the blunt-force aesthetics of newer mainstream sounds.
The wording matters. “Yelling and shouting and rapping” stacks verbs to make contemporary music feel physically aggressive and emotionally one-note, as if volume has replaced vulnerability. Calling it “real boring” is the twist: he frames intensity as monotony. The subtext is less “I hate these genres” than “I don’t recognize the rules anymore.” In rock’s older prestige economy, “singing” signaled training and spectacle; “rapping” reads here as an outsider form that didn’t pay dues to that system. That’s not just taste - it’s gatekeeping dressed up as nostalgia.
Contextually, this line sits inside the long, recurring anxiety of rock elders watching cultural gravity shift away from guitars toward hip-hop and pop hybrids. Bach is also performing a persona: the unapologetic frontman who values excess, clarity, and hooks you can scream with a crowd. His frustration is real, but it’s also a bid to keep his definition of musical virtuosity from becoming a museum exhibit.
The wording matters. “Yelling and shouting and rapping” stacks verbs to make contemporary music feel physically aggressive and emotionally one-note, as if volume has replaced vulnerability. Calling it “real boring” is the twist: he frames intensity as monotony. The subtext is less “I hate these genres” than “I don’t recognize the rules anymore.” In rock’s older prestige economy, “singing” signaled training and spectacle; “rapping” reads here as an outsider form that didn’t pay dues to that system. That’s not just taste - it’s gatekeeping dressed up as nostalgia.
Contextually, this line sits inside the long, recurring anxiety of rock elders watching cultural gravity shift away from guitars toward hip-hop and pop hybrids. Bach is also performing a persona: the unapologetic frontman who values excess, clarity, and hooks you can scream with a crowd. His frustration is real, but it’s also a bid to keep his definition of musical virtuosity from becoming a museum exhibit.
Quote Details
| Topic | Music |
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