"There is no such thing as a long piece of work, except one that you dare not start"
About this Quote
Baudelaire turns “a long piece of work” into a psychological mirage: the length isn’t in the manuscript, it’s in the dread. The line is less productivity advice than a poet’s diagnosis of avoidance, delivered with the cool, slightly contemptuous clarity of someone who knows how often “ambition” is just fear in formalwear. By redefining long work as the work you “dare not start,” he exposes how the mind inflates difficulty to protect the ego from risk. If you never begin, you never fail; the fantasy of the unwritten masterpiece stays intact.
The verb “dare” does heavy lifting. It frames writing not as labor but as a confrontation, implying that the real obstacle is moral and emotional nerve, not time management. That’s Baudelairean to the core: the artist caught between craving transcendence and sabotaging himself in the everyday. The subtext is an attack on romanticized suffering. People love to say they’re “working on” something; Baudelaire points out that the real work begins at the moment you stop treating your own fear as a compelling story.
Context matters. Baudelaire’s career was shaped by delays, debt, controversy, and the bruising public reception of Les Fleurs du mal, which faced censorship and prosecution. He knew what it cost to commit words to paper when the stakes were not abstract: reputation, livelihood, even legal punishment. The line’s elegance is its cruelty: it denies the writer the comforting excuse of “it’s too big,” and replaces it with a harder truth - you’re hesitating because starting would make everything real.
The verb “dare” does heavy lifting. It frames writing not as labor but as a confrontation, implying that the real obstacle is moral and emotional nerve, not time management. That’s Baudelairean to the core: the artist caught between craving transcendence and sabotaging himself in the everyday. The subtext is an attack on romanticized suffering. People love to say they’re “working on” something; Baudelaire points out that the real work begins at the moment you stop treating your own fear as a compelling story.
Context matters. Baudelaire’s career was shaped by delays, debt, controversy, and the bruising public reception of Les Fleurs du mal, which faced censorship and prosecution. He knew what it cost to commit words to paper when the stakes were not abstract: reputation, livelihood, even legal punishment. The line’s elegance is its cruelty: it denies the writer the comforting excuse of “it’s too big,” and replaces it with a harder truth - you’re hesitating because starting would make everything real.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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