"There is no telling what is going to happen in the music business in the next few years, hours, minutes, seconds. Giving artists the chance to produce and distribute their own material is great, very empowering. The technological changes that are happening so rapidly now, amongst all the opinions, are in truth, only two things, inevitable and unstoppable"
About this Quote
Perrette’s point lands because it refuses the comforting myth that the music industry is a machine you can learn and then master. She frames the business as a weather system: volatile down to the “seconds,” impossible to predict, and therefore pointless to romanticize. That time-scale escalation isn’t just dramatic; it mirrors how digital culture actually behaves, where a song can go from obscurity to ubiquity between an upload and an algorithmic nudge.
The subtext is a quiet recalibration of who gets to have authority. Coming from an actress rather than a label executive or tech evangelist, the statement reads less like a sales pitch and more like a working performer taking inventory of a shifting economy. When she calls artist-controlled production and distribution “empowering,” she’s not pretending it’s utopia. She’s arguing that the only sane response to instability is agency: own your masters, build your channels, shorten the distance between creator and audience.
Her blunt closer - “inevitable and unstoppable” - is doing cultural work. It dismisses the endless circular debate over whether streaming “ruined” music or social media “saved” it. That debate flatters gatekeepers by implying the old rules might return. Perrette cuts through that nostalgia. In the post-Napster, platform-dominated landscape, technology isn’t a trend; it’s the terrain. The intent isn’t to predict the future but to shame us out of denial: adapt, or be curated out of relevance by systems that won’t wait for your opinion.
The subtext is a quiet recalibration of who gets to have authority. Coming from an actress rather than a label executive or tech evangelist, the statement reads less like a sales pitch and more like a working performer taking inventory of a shifting economy. When she calls artist-controlled production and distribution “empowering,” she’s not pretending it’s utopia. She’s arguing that the only sane response to instability is agency: own your masters, build your channels, shorten the distance between creator and audience.
Her blunt closer - “inevitable and unstoppable” - is doing cultural work. It dismisses the endless circular debate over whether streaming “ruined” music or social media “saved” it. That debate flatters gatekeepers by implying the old rules might return. Perrette cuts through that nostalgia. In the post-Napster, platform-dominated landscape, technology isn’t a trend; it’s the terrain. The intent isn’t to predict the future but to shame us out of denial: adapt, or be curated out of relevance by systems that won’t wait for your opinion.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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