"There is nothing I can do about this stuff and I am pretty well ok with the fact that I think Sundance is not going to be stopped by it, because he Festival is itself now, and doesn't need me out there to talk about it like I did years ago"
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Redford is doing something rare for a founder in American culture: stepping out of his own origin story without trying to control the ending. The line reads like a shrug, but it’s a strategic shrug - a public loosening of the grip. He frames the current “stuff” (industry noise, controversy, politics, criticism, market pressures) as weather: real, maybe unpleasant, ultimately not something a single person can reroute. That’s not defeatism so much as a boundary.
The key phrase is “the Festival is itself now.” It’s almost spiritual, but it’s also corporate. Sundance has become an institution with its own momentum, incentives, stakeholders, and brand gravity. Redford’s subtext is that the festival has crossed the threshold from mission to machine: it can survive without the founder’s evangelism, and in some ways it must. “Doesn’t need me out there to talk about it like I did years ago” carries a double meaning: he’s aging out of the role, and he’s acknowledging that founder-as-spokesperson can start to look like founder-as-liability.
Culturally, this lands in a moment when Sundance’s identity has been contested - indie purity versus industry pipeline, discovery versus dealmaking, progressive aura versus the messy realities of power and access. Redford’s intent isn’t to litigate those debates. It’s to bless the idea that the festival’s story now belongs to the ecosystem, not the myth of one visionary. That’s how legacies survive: not by insisting they’re unchanged, but by admitting they’re no longer entirely yours.
The key phrase is “the Festival is itself now.” It’s almost spiritual, but it’s also corporate. Sundance has become an institution with its own momentum, incentives, stakeholders, and brand gravity. Redford’s subtext is that the festival has crossed the threshold from mission to machine: it can survive without the founder’s evangelism, and in some ways it must. “Doesn’t need me out there to talk about it like I did years ago” carries a double meaning: he’s aging out of the role, and he’s acknowledging that founder-as-spokesperson can start to look like founder-as-liability.
Culturally, this lands in a moment when Sundance’s identity has been contested - indie purity versus industry pipeline, discovery versus dealmaking, progressive aura versus the messy realities of power and access. Redford’s intent isn’t to litigate those debates. It’s to bless the idea that the festival’s story now belongs to the ecosystem, not the myth of one visionary. That’s how legacies survive: not by insisting they’re unchanged, but by admitting they’re no longer entirely yours.
Quote Details
| Topic | Letting Go |
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