"There is one question that I don't think Gary Condit can answer, and that I think is why we all aimed at Gary Condit, besides the fact that he has a relationship"
About this Quote
A sentence like this is built less to illuminate than to corner. Barbara Olson frames the moment as a cross-examination: there is "one question" Condit "can't answer", and the implication is that inability equals culpability. It's a classic cable-news maneuver from that era, when insinuation could do the work that evidence couldn't, and the audience was trained to treat silence, vagueness, or legal caution as moral confession.
The most revealing phrase is "we all aimed at Gary Condit". "Aimed" turns journalism into target practice, admitting a pack logic that usually stays off-mic. Olson isn't pretending to be a neutral observer; she's describing a coordinated focus, a consensus hunt. That candor is bracing and a little damning: it suggests the story isn't simply discovered, it's selected, then pursued with the intensity of a prosecutorial narrative.
"Besides the fact that he has a relationship" gestures toward the Monica Lewinsky hangover still shaping political media in the early 2000s. "Relationship" functions as euphemism and accelerant: it invites the listener to fill in the salacious blanks, then treat that as substantive. In the Gary Condit/Chandra Levy saga, the cultural context was a perfect storm of scandal fatigue, voyeurism, and distrust of politicians. Olson's line captures how quickly "bad optics" becomes a substitute for proof, and how moral theater can be mistaken for accountability.
The most revealing phrase is "we all aimed at Gary Condit". "Aimed" turns journalism into target practice, admitting a pack logic that usually stays off-mic. Olson isn't pretending to be a neutral observer; she's describing a coordinated focus, a consensus hunt. That candor is bracing and a little damning: it suggests the story isn't simply discovered, it's selected, then pursued with the intensity of a prosecutorial narrative.
"Besides the fact that he has a relationship" gestures toward the Monica Lewinsky hangover still shaping political media in the early 2000s. "Relationship" functions as euphemism and accelerant: it invites the listener to fill in the salacious blanks, then treat that as substantive. In the Gary Condit/Chandra Levy saga, the cultural context was a perfect storm of scandal fatigue, voyeurism, and distrust of politicians. Olson's line captures how quickly "bad optics" becomes a substitute for proof, and how moral theater can be mistaken for accountability.
Quote Details
| Topic | Relationship |
|---|---|
| Source | Help us find the source |
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