"There is only one optimist. He has been here since man has been on this earth, and that is man himself. If we hadn't had such a magnificent optimism to carry us through all these things, we wouldn't be here. We have survived it on our optimism"
About this Quote
Steichen’s “only one optimist” isn’t a Hallmark claim; it’s a hard-edged bet placed after watching the 20th century try to prove the opposite. Coming from a photographer who documented both glamour and catastrophe (and who helped shape wartime imagery), the line reads like a darkroom truth: the negative can be brutal, but the print still has to be made. He’s arguing that optimism isn’t a personality type; it’s a species-level survival technology.
The phrasing is deliberately sweeping, almost mythic: “since man has been on this earth.” That biblical scale does two things. It shrinks individual despair to a recurring human weather pattern, and it reframes “optimism” as the quiet engine inside every act of endurance, reproduction, rebuilding, and art-making. The subtext is less “stay positive” than “we only exist because we keep choosing tomorrow, even when the evidence is lousy.”
There’s a sly provocation in calling humanity the “only” optimist: it implies the universe is indifferent at best, hostile at worst. Nature doesn’t hope; it simply happens. Humans do something stranger: we narrate, we project, we insist on meaning. That insistence can look naive, even ridiculous, until you realize it’s also what keeps societies from collapsing under the weight of their own memory.
In Steichen’s cultural moment, optimism isn’t denial; it’s a moral stance. After wars, depressions, and mass death, claiming optimism as the reason “we’re here” is a way of defending the human project itself: fragile, repetitive, sometimes delusional, but stubbornly ongoing.
The phrasing is deliberately sweeping, almost mythic: “since man has been on this earth.” That biblical scale does two things. It shrinks individual despair to a recurring human weather pattern, and it reframes “optimism” as the quiet engine inside every act of endurance, reproduction, rebuilding, and art-making. The subtext is less “stay positive” than “we only exist because we keep choosing tomorrow, even when the evidence is lousy.”
There’s a sly provocation in calling humanity the “only” optimist: it implies the universe is indifferent at best, hostile at worst. Nature doesn’t hope; it simply happens. Humans do something stranger: we narrate, we project, we insist on meaning. That insistence can look naive, even ridiculous, until you realize it’s also what keeps societies from collapsing under the weight of their own memory.
In Steichen’s cultural moment, optimism isn’t denial; it’s a moral stance. After wars, depressions, and mass death, claiming optimism as the reason “we’re here” is a way of defending the human project itself: fragile, repetitive, sometimes delusional, but stubbornly ongoing.
Quote Details
| Topic | Optimism |
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