"There is only one thing I respect in so-called Broadway actors... and that is their competitive sense"
About this Quote
Kazan’s compliment lands like a backhand: he grants Broadway actors one virtue, and he chooses the least “artistic” one. Not craft, not imagination, not courage - competition. The “so-called” does a lot of dirty work here, downgrading the very identity of “Broadway actor” into a brand someone might slap on a resume. It’s a director’s power move, but also a diagnostic: in Kazan’s view, the Broadway ecosystem trains performers to treat every rehearsal room as an arena, every scene as a bid for dominance.
The intent is partly corrective and partly contemptuous. Kazan came up through the Group Theatre and then shaped mid-century American realism on stage and screen, where vulnerability and psychological truth were the gold standard. Broadway, especially in its commercial mode, can reward polish, volume, and survivability - traits that play well to the back row and to producers with investors to soothe. “Competitive sense” becomes shorthand for that survival IQ: hitting marks, winning attention, protecting status, sensing where the spotlight is headed and arriving first.
Subtext: Kazan is saying the culture of Broadway can deform acting into a zero-sum sport. He respects the hustle because it’s real, because it works, because it wins nights and careers. He also implies it’s insufficient - that the habit of competing can crowd out the harder work of communion, of listening, of risk. Coming from a famously ruthless, polarizing figure, the line doubles as self-portrait: admiration for the will to win, paired with skepticism about what gets sacrificed when winning becomes the method and the meaning.
The intent is partly corrective and partly contemptuous. Kazan came up through the Group Theatre and then shaped mid-century American realism on stage and screen, where vulnerability and psychological truth were the gold standard. Broadway, especially in its commercial mode, can reward polish, volume, and survivability - traits that play well to the back row and to producers with investors to soothe. “Competitive sense” becomes shorthand for that survival IQ: hitting marks, winning attention, protecting status, sensing where the spotlight is headed and arriving first.
Subtext: Kazan is saying the culture of Broadway can deform acting into a zero-sum sport. He respects the hustle because it’s real, because it works, because it wins nights and careers. He also implies it’s insufficient - that the habit of competing can crowd out the harder work of communion, of listening, of risk. Coming from a famously ruthless, polarizing figure, the line doubles as self-portrait: admiration for the will to win, paired with skepticism about what gets sacrificed when winning becomes the method and the meaning.
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| Topic | Witty One-Liners |
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