"There is really nothing more to say-except why. But since why is difficult to handle, one must take refuge in how"
About this Quote
Morrison is calling out the readerly hunger for explanations that tie suffering into a neat bow, then refusing to feed it. The line opens with a feint toward closure: “nothing more to say,” the kind of sentence that usually signals tidy resolution. Then she flips it: there is one thing left, “why,” the question everyone wants answered most. But “why is difficult to handle” because in Morrison’s world it’s rarely a single cause and almost never a morally comforting one. “Why” invites alibis, verdicts, and the false clarity of motive; it’s where a culture tries to launder brutality into inevitability or personal failure.
So she “takes refuge in how” - not as an evasion, but as a craft ethic and a political stance. “How” is process: how violence travels, how shame is inherited, how love becomes survival, how language both wounds and saves. It’s also a corrective to the ways Black life has been narratively flattened by institutions that demand reasons before they grant humanity. Morrison’s novels don’t deny causality; they distrust the kind of causality that turns people into case studies.
The subtext is a warning about interpretation itself. “Why” can be a voyeur’s question, an outsider’s entitlement to explanation. “How” keeps faith with texture, with lived experience, with the specificities that easy moral accounting erases. In a literary culture that often pressures Black writers to translate pain into lessons, Morrison insists on technique as truth: if you want understanding, start with the mechanisms, not the moral.
So she “takes refuge in how” - not as an evasion, but as a craft ethic and a political stance. “How” is process: how violence travels, how shame is inherited, how love becomes survival, how language both wounds and saves. It’s also a corrective to the ways Black life has been narratively flattened by institutions that demand reasons before they grant humanity. Morrison’s novels don’t deny causality; they distrust the kind of causality that turns people into case studies.
The subtext is a warning about interpretation itself. “Why” can be a voyeur’s question, an outsider’s entitlement to explanation. “How” keeps faith with texture, with lived experience, with the specificities that easy moral accounting erases. In a literary culture that often pressures Black writers to translate pain into lessons, Morrison insists on technique as truth: if you want understanding, start with the mechanisms, not the moral.
Quote Details
| Topic | Wisdom |
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