"There is something about poetry beyond prose logic, there is mystery in it, not to be explained but admired"
About this Quote
The subtext is defensive and a little daring. Young is staking poetry's cultural authority on what cannot be audited. "Not to be explained but admired" reads like a preemptive rebuttal to the critic who wants a thesis statement, or the moralist who insists art justify itself with a lesson. Admiration here isn't passive; it's an ethical posture, a willingness to let art act on you without immediately converting it into argument. That stance protects poetry from reduction, but it also elevates the reader's capacity for reverence as a kind of intelligence.
Context matters: Young writes in an era where rationalist prose and philosophical systems were ascendant, while early Romantic sensibilities were incubating. His claim anticipates Romantic defenses of the sublime and the ineffable, but with Augustan poise: mystery is not chaos, it's disciplined enchantment. The line works because it flatters poetry without making it vague; it names the exact tension readers feel when a poem hits hard and the best explanation feels like a downgrade.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Young, Edward. (2026, January 16). There is something about poetry beyond prose logic, there is mystery in it, not to be explained but admired. FixQuotes. https://fixquotes.com/quotes/there-is-something-about-poetry-beyond-prose-137971/
Chicago Style
Young, Edward. "There is something about poetry beyond prose logic, there is mystery in it, not to be explained but admired." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/there-is-something-about-poetry-beyond-prose-137971/.
MLA Style (9th ed.)
"There is something about poetry beyond prose logic, there is mystery in it, not to be explained but admired." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/there-is-something-about-poetry-beyond-prose-137971/. Accessed 12 Feb. 2026.






