"There is something supremely reassuring about television; the worst is always yet to come"
About this Quote
Television, Gould suggests, is comfort food with a deadline: it promises that whatever you are watching now is merely the appetizer for a future disaster. The line snaps because it weaponizes the cadence of reassurance. “Supremely reassuring” is the phrase you’d expect in an ad for a warm blanket, not in a sentence that ends by predicting a steady supply of the “worst.” The joke lands in the pivot, a little moral pratfall that turns a medium built to soothe into a machine that manufactures dread on schedule.
As a journalist writing in the era when TV was becoming the nation’s dominant hearth, Gould is needling the medium’s deepest bargain. Television doesn’t just report calamity; it packages it into a dependable rhythm, a nightly appointment that makes chaos feel manageable precisely because it’s recurring. The subtext isn’t simply that news is bad. It’s that TV creates a kind of emotional infrastructure around badness: theme music, anchors, commercial breaks, the familiar glow in the living room. Even catastrophe arrives with production values.
The line also anticipates how TV trains its audience. If “the worst is always yet to come,” then attention becomes a form of suspense. You keep watching not to be informed but to be braced, to receive the next hit of confirmation that the world is dangerous and that you are right to stay put. Gould’s cynicism reads less like snobbery than an early diagnosis of an addictive loop: dread as comfort, fear as programming, reassurance as a countdown.
As a journalist writing in the era when TV was becoming the nation’s dominant hearth, Gould is needling the medium’s deepest bargain. Television doesn’t just report calamity; it packages it into a dependable rhythm, a nightly appointment that makes chaos feel manageable precisely because it’s recurring. The subtext isn’t simply that news is bad. It’s that TV creates a kind of emotional infrastructure around badness: theme music, anchors, commercial breaks, the familiar glow in the living room. Even catastrophe arrives with production values.
The line also anticipates how TV trains its audience. If “the worst is always yet to come,” then attention becomes a form of suspense. You keep watching not to be informed but to be braced, to receive the next hit of confirmation that the world is dangerous and that you are right to stay put. Gould’s cynicism reads less like snobbery than an early diagnosis of an addictive loop: dread as comfort, fear as programming, reassurance as a countdown.
Quote Details
| Topic | Witty One-Liners |
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