"There may be writing groups where people meet but it's occasional. You really do it all at your own computer or your own typewriter by yourself"
About this Quote
Rice punctures the cozy fantasy of the writer’s life: the salon, the circle, the communal spark. Her line lands like a corrective, not a complaint. Yes, there are “writing groups,” she concedes, but only as a footnote to the real job, which happens in a private room with a stubborn machine and a single set of nerves. The bluntness is the point. By stacking “your own computer” against “your own typewriter,” she spans generations of tools while insisting the core condition hasn’t changed: writing is solitary labor disguised as cultural participation.
The subtext is an argument about authorship. Workshops can polish, friends can cheer, editors can steer, but the sentence itself gets made in the quiet where no one can share the risk. Rice, whose gothic worlds feel crowded with voices, reminds you that the crowd is manufactured. That’s a subtle flex: she’s demystifying her own magic without making it smaller. You can learn craft in public, but you can’t outsource conviction.
Context matters. Rice came up before the current era of constant online accountability, where writers perform process on social media and treat productivity like a group sport. Her insistence on the lone desk reads now as almost contrarian: permission to disappear, to be unliked, to be slow, to write something unfashionable. It’s also a warning. If you’re waiting for community to deliver the work, you’re already negotiating with avoidance. Rice isn’t romanticizing isolation; she’s naming the non-negotiable price of making a book.
The subtext is an argument about authorship. Workshops can polish, friends can cheer, editors can steer, but the sentence itself gets made in the quiet where no one can share the risk. Rice, whose gothic worlds feel crowded with voices, reminds you that the crowd is manufactured. That’s a subtle flex: she’s demystifying her own magic without making it smaller. You can learn craft in public, but you can’t outsource conviction.
Context matters. Rice came up before the current era of constant online accountability, where writers perform process on social media and treat productivity like a group sport. Her insistence on the lone desk reads now as almost contrarian: permission to disappear, to be unliked, to be slow, to write something unfashionable. It’s also a warning. If you’re waiting for community to deliver the work, you’re already negotiating with avoidance. Rice isn’t romanticizing isolation; she’s naming the non-negotiable price of making a book.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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