"There must be something solemn, serious, and tender about any attitude which we denominate religious. If glad, it must not grin or snicker; if sad, it must not scream or curse"
About this Quote
James is policing the emotional register of belief, and he does it with the cool authority of someone who thinks religion is as much a mood as a doctrine. The line draws a boundary around what counts as “religious” by insisting on a particular dignity: solemn, serious, tender. Not ecstatic giggling, not theatrical despair. In two sharp clauses he sketches religion as a kind of disciplined affect - an attitude that can accommodate joy and grief, but only if both are purified of cheap performance.
The subtext is double-edged. On one side, James is defending religion from caricature: the pious as humorless prudes or, conversely, as hysterics. “Grin or snicker” and “scream or curse” aren’t just emotions; they’re social signals of unseriousness, the sounds of the skeptic’s parody. He’s saying: if we’re going to take religious experience seriously as a human phenomenon, we need to recognize its tonal integrity, its refusal to collapse into either comedy or tantrum.
On the other side, he’s smuggling in a norm. By defining the religious as what doesn’t look ridiculous or disruptive, James subtly favors forms of faith that are interior, restrained, and socially legible - the kind that sits well in a lecture hall or a parlor. That fits his broader project in The Varieties of Religious Experience: treat religion psychologically, as lived experience, but keep an eye on what makes it credible. The sentence is less about God than about taste: religion, for James, must pass an aesthetic test of seriousness to earn the name.
The subtext is double-edged. On one side, James is defending religion from caricature: the pious as humorless prudes or, conversely, as hysterics. “Grin or snicker” and “scream or curse” aren’t just emotions; they’re social signals of unseriousness, the sounds of the skeptic’s parody. He’s saying: if we’re going to take religious experience seriously as a human phenomenon, we need to recognize its tonal integrity, its refusal to collapse into either comedy or tantrum.
On the other side, he’s smuggling in a norm. By defining the religious as what doesn’t look ridiculous or disruptive, James subtly favors forms of faith that are interior, restrained, and socially legible - the kind that sits well in a lecture hall or a parlor. That fits his broader project in The Varieties of Religious Experience: treat religion psychologically, as lived experience, but keep an eye on what makes it credible. The sentence is less about God than about taste: religion, for James, must pass an aesthetic test of seriousness to earn the name.
Quote Details
| Topic | Faith |
|---|---|
| Source | The Varieties of Religious Experience: A Study in Human Nature, William James, 1902 — passage on the nature of religious attitude (see full text of the lectures). |
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