"There was no professional theater in Cork, but still I did a lot of performing"
About this Quote
The subtext is about vocation as compulsion rather than opportunity. Shaw implies that performance happens wherever an audience can be assembled: school halls, church basements, living rooms, amateur groups, any makeshift stage that allows an ambitious young person to test a voice and a body against other people’s attention. In that sense, “professional” becomes less a marker of legitimacy than of infrastructure. She’s gently questioning the idea that you need an official pipeline to be “real.”
It also reads as a sideways comment on class and gatekeeping. If you’re outside the recognized venues, you learn to build your own rehearsal rooms in public. That self-starting ethic becomes training: repetition, nerves, failure, craft. The line works because it’s understated; it refuses the myth of discovery and instead suggests something more durable - a performer formed by hunger, not hype.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Shaw, Fiona. (2026, January 17). There was no professional theater in Cork, but still I did a lot of performing. FixQuotes. https://fixquotes.com/quotes/there-was-no-professional-theater-in-cork-but-53273/
Chicago Style
Shaw, Fiona. "There was no professional theater in Cork, but still I did a lot of performing." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/there-was-no-professional-theater-in-cork-but-53273/.
MLA Style (9th ed.)
"There was no professional theater in Cork, but still I did a lot of performing." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/there-was-no-professional-theater-in-cork-but-53273/. Accessed 12 Feb. 2026.
