Creativity Quote by Daisy Berkowitz

A working manifesto disguised as a casual studio update, Daisy Berkowitz’s line treats “noise and feedback” not as accidents but as raw material with its own emotional grammar. The intent is practical - a preview of what’s coming - yet it’s also a boundary-setting move: don’t expect a single, polished “sound,” because the album will deliberately split into different modes of listening.

The subtext is control. Feedback is what happens when a system can’t contain itself; it’s the sonic equivalent of pressure breaking through the walls. By promising tracks “which... consist of mostly noise,” Berkowitz reframes that rupture as composition, not failure. That matters in rock culture, where distortion has long been both a badge of authenticity and a way to reject the polite expectations of radio-ready clarity. Calling it “mostly” noise suggests curation: this isn’t random chaos, it’s edited chaos.

Then there’s the pivot: “whereas others may just have guitar parts and samples.” The “just” is doing work, downplaying the craft while signaling a collage mindset. Samples imply a conversation with recorded history and contemporary production - an admission that guitars alone aren’t the whole vocabulary anymore. Put together, the quote sketches an album as a mixed-media exhibit: some rooms are pure abrasion, others are sparse, assembled, and referential.

Contextually, it reads like an artist anticipating backlash before it arrives. By naming the extremes upfront, Berkowitz invites the audience to hear experimentation as the point, not a detour - and makes inconsistency feel like intention.