"There's a consistency in my work that pops up independent of the limitations of the technology"
About this Quote
Trumbull is politely refusing the era’s favorite excuse: that the tools made the artist. Coming from a director and effects pioneer whose name is stapled to the look of 2001 and Blade Runner, the line reads less like bragging than like a provocation to an industry that fetishizes new software releases as if they were aesthetic breakthroughs. He’s pointing to a signature that survives the equipment list.
The intent is to re-center authorship. “Consistency” isn’t a corporate buzzword here; it’s a claim that there’s a throughline in his images, his pacing, his sense of scale and wonder that shows up whether he’s shooting slit-scan abstractions, miniature photography, or later high-frame-rate experiments. Technology is the vehicle, not the destination.
The subtext has a faintly irritated edge: if you’re blaming limitations, you’re admitting you don’t have a point of view yet. Trumbull’s career sits in the tension between engineering and cinema, where budgets, optical printers, render times, and studio patience constantly threaten to dictate what can be imagined. His counterargument is that imagination is stubborn. The craft adapts; the sensibility persists.
Context matters because Trumbull lived through multiple “revolutions” that promised to democratize or transform filmmaking: analog to digital, practical to CGI, standard projection to immersive formats. He’s reminding us that revolutions in tools don’t automatically produce revolutions in taste. What “pops up” is not the gadgetry, but the maker’s obsession - the consistent urge to make audiences feel the sublime, even when the hardware fights back.
The intent is to re-center authorship. “Consistency” isn’t a corporate buzzword here; it’s a claim that there’s a throughline in his images, his pacing, his sense of scale and wonder that shows up whether he’s shooting slit-scan abstractions, miniature photography, or later high-frame-rate experiments. Technology is the vehicle, not the destination.
The subtext has a faintly irritated edge: if you’re blaming limitations, you’re admitting you don’t have a point of view yet. Trumbull’s career sits in the tension between engineering and cinema, where budgets, optical printers, render times, and studio patience constantly threaten to dictate what can be imagined. His counterargument is that imagination is stubborn. The craft adapts; the sensibility persists.
Context matters because Trumbull lived through multiple “revolutions” that promised to democratize or transform filmmaking: analog to digital, practical to CGI, standard projection to immersive formats. He’s reminding us that revolutions in tools don’t automatically produce revolutions in taste. What “pops up” is not the gadgetry, but the maker’s obsession - the consistent urge to make audiences feel the sublime, even when the hardware fights back.
Quote Details
| Topic | Art |
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