"There's a feminist writer, Naomi Wolfe, who is reconsidering her position on abortion"
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Name-dropping Naomi Wolf is doing a lot of work here. McCorvey isn’t just citing a “feminist writer” as an authority; she’s trying to pry open a symbolic coalition from the inside. The line is engineered as a wedge: if even a recognizable feminist voice is “reconsidering,” then the pro-choice position can be framed not as a settled moral consensus but as an ideology under quiet revision. It’s persuasion by apostasy. The power comes from the implied contagion: doubt is spreading, and you don’t have to be conservative, religious, or “anti-woman” to catch it.
The phrasing matters. “There’s a feminist writer” sounds casual, almost conversational, like gossip with political consequences. It lowers the temperature, then drops the payload. McCorvey doesn’t argue fetal personhood or legal doctrine; she offers a cultural signal. In a media environment where identity labels function like credentials, “feminist” is the credential that’s supposed to authenticate the pivot. “Reconsidering her position” is careful, too: it’s not “renouncing,” which would invite backlash, but a softer verb that grants moral seriousness and intellectual honesty.
Context sharpens the intent. McCorvey, as the figure at the center of Roe v. Wade, spent years being treated as an emblem rather than a person, then later recast herself as evidence for the other side. Invoking Wolf (and getting her name slightly wrong, which is telling) reveals a celebrity logic: politics as narrative arc, where conversion stories and defections make better headlines than policy arguments. The subtext is simple and strategic: feminism is not a fortress; it has exits.
The phrasing matters. “There’s a feminist writer” sounds casual, almost conversational, like gossip with political consequences. It lowers the temperature, then drops the payload. McCorvey doesn’t argue fetal personhood or legal doctrine; she offers a cultural signal. In a media environment where identity labels function like credentials, “feminist” is the credential that’s supposed to authenticate the pivot. “Reconsidering her position” is careful, too: it’s not “renouncing,” which would invite backlash, but a softer verb that grants moral seriousness and intellectual honesty.
Context sharpens the intent. McCorvey, as the figure at the center of Roe v. Wade, spent years being treated as an emblem rather than a person, then later recast herself as evidence for the other side. Invoking Wolf (and getting her name slightly wrong, which is telling) reveals a celebrity logic: politics as narrative arc, where conversion stories and defections make better headlines than policy arguments. The subtext is simple and strategic: feminism is not a fortress; it has exits.
Quote Details
| Topic | Human Rights |
|---|---|
| Source | Help us find the source |
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