"There's a good deal in common between the mind's eye and the TV screen, and though the TV set has all too often been the boobtube, it could be, it can be, the box of dreams"
About this Quote
Le Guin takes a medium widely dismissed as cultural junk and reminds you it runs on the same fuel as literature: the imagination. The sly pivot from "boobtube" to "box of dreams" is doing more than wordplay. It’s a rebuke to lazy hierarchies that treat print as inherently ennobling and television as inherently stupefying. In her hands, the TV isn’t the enemy of the mind’s eye; it’s a competing interface for it.
The intent is conditional, almost moral: television has been used badly, yes, but that’s not a property of the box so much as of the choices made through it. Le Guin’s subtext lands on power and stewardship. Who controls the images? Who decides what stories get told, what desires get manufactured, what realities become “normal”? Calling it the “boobtube” points to television’s capacity for passivity, consumption, and infantilization; calling it the “box of dreams” insists on its parallel capacity for wonder, empathy, and speculative possibility.
Context matters: Le Guin wrote from inside a career devoted to expanding what stories can do, especially in science fiction and fantasy, genres long patronized as escapism. So her defense of TV reads as a broader defense of mass storytelling when it’s handled with craft and conscience. The line also anticipates our current attention economy: screens can shrink our inner lives or enlarge them. The medium isn’t destiny; imagination is.
The intent is conditional, almost moral: television has been used badly, yes, but that’s not a property of the box so much as of the choices made through it. Le Guin’s subtext lands on power and stewardship. Who controls the images? Who decides what stories get told, what desires get manufactured, what realities become “normal”? Calling it the “boobtube” points to television’s capacity for passivity, consumption, and infantilization; calling it the “box of dreams” insists on its parallel capacity for wonder, empathy, and speculative possibility.
Context matters: Le Guin wrote from inside a career devoted to expanding what stories can do, especially in science fiction and fantasy, genres long patronized as escapism. So her defense of TV reads as a broader defense of mass storytelling when it’s handled with craft and conscience. The line also anticipates our current attention economy: screens can shrink our inner lives or enlarge them. The medium isn’t destiny; imagination is.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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