"There's a mystery to writing, and you don't really know where most of it comes from"
About this Quote
Neil Diamond’s line lands because it refuses the neat myth of the songwriter as either pure craftsman or pure conduit. “There’s a mystery” is a modest admission from a pop figure who built a career on big, declarative feelings. He’s pointing to the part of writing that can’t be reverse-engineered: the sudden melodic turn, the lyric that arrives fully formed, the emotional logic that makes a simple phrase feel inevitable. The phrasing is tellingly plain. Diamond doesn’t romanticize “inspiration” with spiritual language; he uses the everyday shrug of “you don’t really know,” which makes the claim feel earned rather than mystical branding.
The subtext is protective. By foregrounding uncertainty, Diamond shields the work from cynicism. In an era where “authenticity” gets audited and where hit-making can look like an assembly line, he argues for an irreducible human remainder. It’s also a subtle defense against the pressure to explain yourself: if the source is partly unknown even to the writer, then the song’s meaning isn’t a courtroom deposition. It can stay slippery, personal, and shared.
Context matters: Diamond sits at the intersection of Tin Pan Alley professionalism and confessional pop. He knows structure, hooks, and repetition as tools, but he’s insisting that technique isn’t the whole story. The “mystery” isn’t anti-craft; it’s the reason craft matters. You practice so you’re ready when the inexplicable shows up.
The subtext is protective. By foregrounding uncertainty, Diamond shields the work from cynicism. In an era where “authenticity” gets audited and where hit-making can look like an assembly line, he argues for an irreducible human remainder. It’s also a subtle defense against the pressure to explain yourself: if the source is partly unknown even to the writer, then the song’s meaning isn’t a courtroom deposition. It can stay slippery, personal, and shared.
Context matters: Diamond sits at the intersection of Tin Pan Alley professionalism and confessional pop. He knows structure, hooks, and repetition as tools, but he’s insisting that technique isn’t the whole story. The “mystery” isn’t anti-craft; it’s the reason craft matters. You practice so you’re ready when the inexplicable shows up.
Quote Details
| Topic | Writing |
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