"There's a pace in TV I like"
About this Quote
There is something wonderfully unpretentious in Orbach staking his flag on "pace" rather than prestige. He is not talking about art with a capital A; he is talking about a working rhythm, a medium engineered for momentum, deadlines, and repeatable intensity. Coming from an actor who moved effortlessly between Broadway charisma and TV authority, the line reads like a quiet declaration of fit: television is where craft meets schedule, where performance becomes a reliable engine instead of a rare event.
The subtext is professional, almost blue-collar. "Pace" implies fewer indulgences and fewer divas. In TV, you learn lines fast, hit marks, and find emotional truth on a clock. That pressure can flatten performances, but it can also sharpen them. Orbach's delivery style, especially later in his career, thrived on that compressed clarity: the ability to communicate character in a glance, a grunt, a practiced restraint.
Context matters here: late-20th-century TV was still treated as a step down from film and theater, even as it offered actors something the other mediums often couldn't - stability, reach, and sustained character work. Orbach's fondness for the pace is also a subtle rebuttal to the snobbery. He is not apologizing for television; he's describing its pleasure. The line lands because it turns what critics call "formula" into a virtue: forward motion, narrative economy, and the satisfaction of showing up, nailing it, and doing it again tomorrow.
The subtext is professional, almost blue-collar. "Pace" implies fewer indulgences and fewer divas. In TV, you learn lines fast, hit marks, and find emotional truth on a clock. That pressure can flatten performances, but it can also sharpen them. Orbach's delivery style, especially later in his career, thrived on that compressed clarity: the ability to communicate character in a glance, a grunt, a practiced restraint.
Context matters here: late-20th-century TV was still treated as a step down from film and theater, even as it offered actors something the other mediums often couldn't - stability, reach, and sustained character work. Orbach's fondness for the pace is also a subtle rebuttal to the snobbery. He is not apologizing for television; he's describing its pleasure. The line lands because it turns what critics call "formula" into a virtue: forward motion, narrative economy, and the satisfaction of showing up, nailing it, and doing it again tomorrow.
Quote Details
| Topic | Movie |
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