"There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history"
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Lively’s line has the tidy poise of someone who’s spent a career watching the past get marketed, misremembered, and then sold back to us as identity. The phrasing is doing the real work: “preoccupation” is almost polite, the kind of word you use to describe a harmless fixation, until she pivots to “operation,” which makes memory sound mechanical, selective, and maybe a little suspect. Memory isn’t a scrapbook here; it’s a system with inputs, errors, and convenient edits.
Then she sharpens the blade with “rapacious interest in history.” Rapacious isn’t nostalgia; it’s appetite, extraction, consumption. Lively is registering a cultural moment in which history becomes a resource to mine rather than a record to understand: heritage industries, commemorations, retro aesthetics, “based on a true story” as a seal of moral authority. The subtext is that we don’t just remember; we use remembering to claim territory in the present. Memory becomes a credential. History becomes ammunition.
As a novelist who often stages the friction between private recollection and public narrative, Lively is also defending ambiguity. The “operation of memory” points to how personal stories drift, overlap, and contradict, while history gets treated as a steadier, more profitable product. Put them together and you get her warning: our hunger for the past can flatten it into something consumable, even when the past’s real power lies in its messiness, its resistance to clean retrieval.
Then she sharpens the blade with “rapacious interest in history.” Rapacious isn’t nostalgia; it’s appetite, extraction, consumption. Lively is registering a cultural moment in which history becomes a resource to mine rather than a record to understand: heritage industries, commemorations, retro aesthetics, “based on a true story” as a seal of moral authority. The subtext is that we don’t just remember; we use remembering to claim territory in the present. Memory becomes a credential. History becomes ammunition.
As a novelist who often stages the friction between private recollection and public narrative, Lively is also defending ambiguity. The “operation of memory” points to how personal stories drift, overlap, and contradict, while history gets treated as a steadier, more profitable product. Put them together and you get her warning: our hunger for the past can flatten it into something consumable, even when the past’s real power lies in its messiness, its resistance to clean retrieval.
Quote Details
| Topic | Nostalgia |
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