"There's always a period of curious fear between the first sweet-smelling breeze and the time when the rain comes cracking down"
About this Quote
DeLillo nails the modern condition in a single weather report: the moment when relief turns into dread before anything has actually happened. The “first sweet-smelling breeze” is sensory and innocent, almost pastoral, but he immediately laces it with foreboding. That sweetness isn’t comfort; it’s the tell. In DeLillo’s world, the atmosphere is never just atmosphere. It’s a signal, an early-warning system for whatever violence, scandal, or psychic disruption is about to arrive.
The genius is in the timing: “a period” of fear, not the fear of the storm itself. The suspense lives in the gap between omen and impact, when the mind fills the sky with its own worst-case stories. That’s DeLillo’s signature terrain: anticipatory anxiety as a lifestyle, the way mass culture trains us to scan for the next breaking-news rupture. Even the phrasing performs that escalation. “Sweet-smelling breeze” drifts; “rain comes cracking down” hits like a blunt instrument. He turns weather into a sound effect, the crack of something snapping, a quiet day suddenly made punitive.
The subtext is less about meteorology than about living under systems you can’t control: media cycles, markets, politics, catastrophe. You get a hint of change in the air and your body reacts before your brain has evidence. DeLillo’s intent isn’t to romanticize fear; it’s to show how ordinary it has become, how the most banal pleasures come preloaded with the expectation of impact.
The genius is in the timing: “a period” of fear, not the fear of the storm itself. The suspense lives in the gap between omen and impact, when the mind fills the sky with its own worst-case stories. That’s DeLillo’s signature terrain: anticipatory anxiety as a lifestyle, the way mass culture trains us to scan for the next breaking-news rupture. Even the phrasing performs that escalation. “Sweet-smelling breeze” drifts; “rain comes cracking down” hits like a blunt instrument. He turns weather into a sound effect, the crack of something snapping, a quiet day suddenly made punitive.
The subtext is less about meteorology than about living under systems you can’t control: media cycles, markets, politics, catastrophe. You get a hint of change in the air and your body reacts before your brain has evidence. DeLillo’s intent isn’t to romanticize fear; it’s to show how ordinary it has become, how the most banal pleasures come preloaded with the expectation of impact.
Quote Details
| Topic | Nature |
|---|---|
| Source | Help us find the source |
More Quotes by Don
Add to List









