"There's been a big buzz about the Charlatans in the last couple of years. I've heard the word Charlatans more in the last few years than I'd heard it for the previous 20 years. People would interview me for years and never even mention the Charlatans"
About this Quote
Dan Hicks is clocking a familiar music-industry glitch: the way attention arrives late, loud, and oddly impersonal. He’s not describing a slow-building rediscovery so much as a vocabulary shift. “I’ve heard the word Charlatans more” is funny because it’s literally about a word, not a band, not a sound, not even a song. The subject isn’t the Charlatans themselves; it’s the media’s sudden need for a hook that can be repeated until it becomes a narrative.
The quote carries a sly irritation, but it’s delivered with a working musician’s pragmatism. For decades, interviews “never even mention the Charlatans,” then abruptly there’s “a big buzz,” as if history has just been discovered. Hicks is pointing at the churn of cultural memory: scenes and side projects get ignored until the marketplace decides they’re useful again, at which point they’re treated like a trend, not a lineage.
Subtext: this is less about personal validation than about how journalism (and audiences) outsource curiosity to consensus. “Buzz” functions like a permission slip. Once the word is circulating, everyone asks about it; before that, silence. Hicks’ understated repetition underscores the absurdity: the work didn’t change, the questions did. In a business built on novelty, his line exposes how often “new” just means “newly legible to gatekeepers.”
The quote carries a sly irritation, but it’s delivered with a working musician’s pragmatism. For decades, interviews “never even mention the Charlatans,” then abruptly there’s “a big buzz,” as if history has just been discovered. Hicks is pointing at the churn of cultural memory: scenes and side projects get ignored until the marketplace decides they’re useful again, at which point they’re treated like a trend, not a lineage.
Subtext: this is less about personal validation than about how journalism (and audiences) outsource curiosity to consensus. “Buzz” functions like a permission slip. Once the word is circulating, everyone asks about it; before that, silence. Hicks’ understated repetition underscores the absurdity: the work didn’t change, the questions did. In a business built on novelty, his line exposes how often “new” just means “newly legible to gatekeepers.”
Quote Details
| Topic | Music |
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