"There's much to be said for feeling numb. Time passes more quickly. You eat less, and because numbness encourages laziness, you do fewer things, good or bad, and the world's probably a better place for it"
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Numbness gets pitched here not as tragedy but as lifestyle optimization, a deadpan self-help hack for late-capitalist exhaustion. Coupland turns a symptom into a time-management strategy: if you feel nothing, you consume less, act less, desire less. The irony is barbed because it’s internally coherent. In a culture that treats productivity and appetite as default virtues (eat, do, chase, improve), he offers the anti-metric: fewer inputs, fewer outputs, fewer consequences.
The list structure does a lot of the work. “Time passes more quickly. You eat less... you do fewer things...” reads like bullet-point benefits, the language of wellness and minimalism, except it’s built on emotional shutdown. Coupland’s wit is that he never moralizes; he lets the logic incriminate itself. “Good or bad” is the tell: numbness isn’t ethically pure, it’s ethically evacuated. That’s why the closing clause stings. “The world’s probably a better place for it” is less a claim than a shrug dressed up as wisdom, implying that our actions are mostly noise, mostly damage, mostly consumption.
Contextually, it fits Coupland’s ongoing fixation on post-boomer drift: characters buffered by media, saturated by choice, quietly terrified of feeling too much. Numbness becomes both defense mechanism and cultural critique. If disengagement can be rationalized as civic virtue, the problem isn’t individual weakness; it’s a society that makes emotional presence feel like a liability.
The list structure does a lot of the work. “Time passes more quickly. You eat less... you do fewer things...” reads like bullet-point benefits, the language of wellness and minimalism, except it’s built on emotional shutdown. Coupland’s wit is that he never moralizes; he lets the logic incriminate itself. “Good or bad” is the tell: numbness isn’t ethically pure, it’s ethically evacuated. That’s why the closing clause stings. “The world’s probably a better place for it” is less a claim than a shrug dressed up as wisdom, implying that our actions are mostly noise, mostly damage, mostly consumption.
Contextually, it fits Coupland’s ongoing fixation on post-boomer drift: characters buffered by media, saturated by choice, quietly terrified of feeling too much. Numbness becomes both defense mechanism and cultural critique. If disengagement can be rationalized as civic virtue, the problem isn’t individual weakness; it’s a society that makes emotional presence feel like a liability.
Quote Details
| Topic | Mental Health |
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