"There's no good guys and bad guys"
About this Quote
Holbrook’s line lands like a shrug with teeth: a refusal of the storybook moral math we’re trained to crave. Coming from an actor best known for embodying Mark Twain’s skepticism and American plainspokenness, it reads less like philosophical abstraction and more like stage-tested realism. He’s talking about people as performers and as characters, and he’s cutting through the lazy casting of virtue and villainy that makes audiences comfortable.
The intent is corrective. Actors learn quickly that “bad guys” who twirl mustaches are boring, and “good guys” without contradictions are propaganda. Holbrook’s phrasing is blunt, almost childlike, because that’s how these categories usually function: simplified labels that let us stop paying attention. He’s arguing for attention. For motive over morality. For the unglamorous truth that most damage is done by ordinary people who think they’re right, and most decency is mixed with self-interest.
The subtext is also cultural: America loves redemption arcs and clear villains because they turn messy history into clean entertainment. Holbrook worked through decades when film and TV shifted from hard-edged noir certainties to antiheroes and prestige ambiguity. His sentence anticipates that turn, but it’s less trendy than ethical. If there are no “good guys” and “bad guys,” then responsibility can’t be outsourced to monsters. It sits with everyone, including the person telling the story.
The intent is corrective. Actors learn quickly that “bad guys” who twirl mustaches are boring, and “good guys” without contradictions are propaganda. Holbrook’s phrasing is blunt, almost childlike, because that’s how these categories usually function: simplified labels that let us stop paying attention. He’s arguing for attention. For motive over morality. For the unglamorous truth that most damage is done by ordinary people who think they’re right, and most decency is mixed with self-interest.
The subtext is also cultural: America loves redemption arcs and clear villains because they turn messy history into clean entertainment. Holbrook worked through decades when film and TV shifted from hard-edged noir certainties to antiheroes and prestige ambiguity. His sentence anticipates that turn, but it’s less trendy than ethical. If there are no “good guys” and “bad guys,” then responsibility can’t be outsourced to monsters. It sits with everyone, including the person telling the story.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Holbrook, Hal. (2026, January 16). There's no good guys and bad guys. FixQuotes. https://fixquotes.com/quotes/theres-no-good-guys-and-bad-guys-130950/
Chicago Style
Holbrook, Hal. "There's no good guys and bad guys." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/theres-no-good-guys-and-bad-guys-130950/.
MLA Style (9th ed.)
"There's no good guys and bad guys." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/theres-no-good-guys-and-bad-guys-130950/. Accessed 27 Feb. 2026.
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