"There's no point in burying a hatchet if you're going to put up a marker on the site"
About this Quote
Forgiveness that insists on a receipt isn’t forgiveness at all; it’s debt collection with better manners. Sydney J. Harris takes the old image of “burying the hatchet” and ruins it on purpose by adding a second, uglier gesture: planting a marker. The wit lands because the marker is both literal (a gravestone, a memorial plaque) and social (a story you keep retelling, a moral ledger you keep updated). You can’t claim you’ve moved on while also preserving the coordinates of the offense for future visits.
Harris was a mid-century American newspaper columnist, writing in an era that prized civic harmony on the surface and nursed plenty of private grudges underneath - Cold War anxieties, culture-war skirmishes, domestic tensions smoothed over with etiquette. In that climate, the pressure to “be reasonable” often meant performing reconciliation while quietly stockpiling resentments. The line skewers that performance. It’s not anti-forgiveness; it’s anti-theatrical forgiveness, the kind that keeps the other person permanently on probation.
The subtext is about power. A marker doesn’t just remember; it warns. It tells the offender: I may have stopped swinging, but I reserve the right to point to the spot where you made me bleed. Harris understands how people weaponize memory as identity - the grievance becomes proof of virtue, the scar becomes status. His sentence is short, plain, and devastatingly visual, which is why it reads like a proverb: if you need the monument, you’re not seeking peace, you’re curating a grievance.
Harris was a mid-century American newspaper columnist, writing in an era that prized civic harmony on the surface and nursed plenty of private grudges underneath - Cold War anxieties, culture-war skirmishes, domestic tensions smoothed over with etiquette. In that climate, the pressure to “be reasonable” often meant performing reconciliation while quietly stockpiling resentments. The line skewers that performance. It’s not anti-forgiveness; it’s anti-theatrical forgiveness, the kind that keeps the other person permanently on probation.
The subtext is about power. A marker doesn’t just remember; it warns. It tells the offender: I may have stopped swinging, but I reserve the right to point to the spot where you made me bleed. Harris understands how people weaponize memory as identity - the grievance becomes proof of virtue, the scar becomes status. His sentence is short, plain, and devastatingly visual, which is why it reads like a proverb: if you need the monument, you’re not seeking peace, you’re curating a grievance.
Quote Details
| Topic | Forgiveness |
|---|---|
| Source | Help us find the source |
More Quotes by Sydney
Add to List










