"There's nothing like getting yourself into character and seeing a different person. It really wears on your vanity"
About this Quote
The intent is disarming honesty. Moss isn’t romanticizing transformation as mystical; she’s describing it as labor that erodes self-importance. To commit to a role, you submit to forces that don’t care about your self-image: the script’s demands, a director’s eye, the camera’s cruelty, the character’s logic. Even your face stops being “yours” and becomes a surface for someone else’s story. That’s humbling, especially in a celebrity economy built on branding the self as a product.
The subtext also reads as a quiet defense of seriousness. Moss has built a reputation on characters who swallow pride and endure pressure. In that context, “vanity” isn’t just about looks; it’s the actor’s need to be admired, understood, liked. Getting “into character” means risking none of that. The line works because it punctures the glamorous myth of acting and replaces it with something more credible: surrender, and the strange relief of not being yourself for a while.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Moss, Elizabeth. (2026, January 15). There's nothing like getting yourself into character and seeing a different person. It really wears on your vanity. FixQuotes. https://fixquotes.com/quotes/theres-nothing-like-getting-yourself-into-50038/
Chicago Style
Moss, Elizabeth. "There's nothing like getting yourself into character and seeing a different person. It really wears on your vanity." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/theres-nothing-like-getting-yourself-into-50038/.
MLA Style (9th ed.)
"There's nothing like getting yourself into character and seeing a different person. It really wears on your vanity." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/theres-nothing-like-getting-yourself-into-50038/. Accessed 12 Feb. 2026.











