"There's nothing more human than two people making love"
About this Quote
Abril’s line lands like a rebuke to the ways we’ve trained ourselves to flinch at sex while tolerating almost everything else on screen. “Nothing more human” is a deliberately oversized claim, but its function is simple: to reframe lovemaking not as spectacle, scandal, or moral test, but as evidence. Two bodies in consented intimacy become a baseline proof of personhood, a reminder that behind the roles, costumes, and plot machinery, there are vulnerable people trying to be close.
The subtext is cultural and political: we live in a media ecosystem that often treats sex as either punchline or threat. Abril pushes against the prudish reflex that turns intimacy into something shameful, especially when it’s filmed, staged, or talked about by women. Coming from an actress, the statement also carries an industry-specific edge: performers are routinely asked to “justify” nudity or sex scenes as art while violence passes unchallenged as entertainment. She’s flipping that hierarchy. If we’re going to call anything “natural,” she implies, start with tenderness.
Context matters because Abril’s career has been shaped by European cinema’s frankness about desire and its willingness to let adults look like adults. Her phrasing is intimate but strategic: “two people” keeps it universal and egalitarian, “making love” insists on emotion over mechanics. It’s not a manifesto for explicitness; it’s a plea to stop acting shocked by the most ordinary, risky thing humans do - reach for each other.
The subtext is cultural and political: we live in a media ecosystem that often treats sex as either punchline or threat. Abril pushes against the prudish reflex that turns intimacy into something shameful, especially when it’s filmed, staged, or talked about by women. Coming from an actress, the statement also carries an industry-specific edge: performers are routinely asked to “justify” nudity or sex scenes as art while violence passes unchallenged as entertainment. She’s flipping that hierarchy. If we’re going to call anything “natural,” she implies, start with tenderness.
Context matters because Abril’s career has been shaped by European cinema’s frankness about desire and its willingness to let adults look like adults. Her phrasing is intimate but strategic: “two people” keeps it universal and egalitarian, “making love” insists on emotion over mechanics. It’s not a manifesto for explicitness; it’s a plea to stop acting shocked by the most ordinary, risky thing humans do - reach for each other.
Quote Details
| Topic | Love |
|---|
More Quotes by Victoria
Add to List














