"There's one more thing I want to say. It's a touchy subject. Black beauty. Black sensuality. We live in a culture where the beauty of black people isn't always as celebrated as other types. I'd like to help change that if I can!"
About this Quote
Watley’s power move here is how she walks straight at the discomfort instead of tiptoeing around it. “It’s a touchy subject” isn’t a retreat; it’s a warning shot. She’s naming the social rule that Black beauty is often treated as either invisible or “too much” to be discussed without panic, fetish, or defensiveness. By saying the quiet part out loud, she exposes the cultural policing that decides which bodies get called elegant, desirable, “classic,” or simply normal.
The pairing of “black beauty” and “black sensuality” matters. Beauty can be safely aestheticized; sensuality drags the conversation into desire, power, and who gets to be seen as worthy of wanting. That’s where the history sits: Black women have been simultaneously hypersexualized and denied full, soft, ordinary desirability in mainstream media. Watley’s phrasing refuses both traps. She doesn’t ask for permission, but she also doesn’t plead; she asserts celebration as a corrective to a skewed baseline.
Contextually, coming from a musician, this reads like an artist staking out control over image in an industry that sells bodies as much as songs. Pop has always been a beauty economy, with “marketability” used as a polite substitute for racial preference. Watley’s “I’d like to help change that if I can” is modest on the surface, but it’s strategic: it frames representation as active work, not a trend. She’s positioning her visibility as a lever - not just personal pride, but cultural redistribution of who gets the spotlight and why.
The pairing of “black beauty” and “black sensuality” matters. Beauty can be safely aestheticized; sensuality drags the conversation into desire, power, and who gets to be seen as worthy of wanting. That’s where the history sits: Black women have been simultaneously hypersexualized and denied full, soft, ordinary desirability in mainstream media. Watley’s phrasing refuses both traps. She doesn’t ask for permission, but she also doesn’t plead; she asserts celebration as a corrective to a skewed baseline.
Contextually, coming from a musician, this reads like an artist staking out control over image in an industry that sells bodies as much as songs. Pop has always been a beauty economy, with “marketability” used as a polite substitute for racial preference. Watley’s “I’d like to help change that if I can” is modest on the surface, but it’s strategic: it frames representation as active work, not a trend. She’s positioning her visibility as a lever - not just personal pride, but cultural redistribution of who gets the spotlight and why.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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