"There's so few people in this town with a conscience"
About this Quote
"There's so few people in this town with a conscience" lands like a tossed-off aside, but it’s really a director’s dagger aimed at Hollywood’s self-mythology. Edwards doesn’t bother naming the town because he doesn’t have to; “this town” is an industry codeword, a shared wink that implies everyone already knows the rules are rigged. The line’s power is in its casual certainty: not “some people lack a conscience,” but the chilling assumption that conscience itself is an endangered trait, a quirky exception in a place built to smooth out moral friction.
Edwards, who spent his career inside the studio system while repeatedly skewering it, understands how the business converts personality into product and ethics into a public-relations problem. The subtext is less about individual villains than about incentives: when careers depend on access, momentum, and staying “easy to work with,” the moral spine becomes negotiable. The remark isn’t just bitterness; it’s a diagnosis of a culture where charm substitutes for accountability and success is often proof that you played along.
It also reads as self-protective honesty. A filmmaker who’s watched deals made, promises broken, and reputations traded like currency is warning you that sentimentality is how you get conned. The sting is that Edwards isn’t shocked by the absence of conscience; he’s resigned to it, as if the town’s real export isn’t movies but plausible deniability.
Edwards, who spent his career inside the studio system while repeatedly skewering it, understands how the business converts personality into product and ethics into a public-relations problem. The subtext is less about individual villains than about incentives: when careers depend on access, momentum, and staying “easy to work with,” the moral spine becomes negotiable. The remark isn’t just bitterness; it’s a diagnosis of a culture where charm substitutes for accountability and success is often proof that you played along.
It also reads as self-protective honesty. A filmmaker who’s watched deals made, promises broken, and reputations traded like currency is warning you that sentimentality is how you get conned. The sting is that Edwards isn’t shocked by the absence of conscience; he’s resigned to it, as if the town’s real export isn’t movies but plausible deniability.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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