"There's so much pollution in the air now that if it weren't for our lungs there'd be no place to put it all"
About this Quote
There is a slapstick efficiency to Robert Orben's line: it turns the human body into civic infrastructure, a storage unit for society's mess. The joke lands because it’s built on a clean reversal. Lungs are supposed to protect us from the world; here, they’re recast as the world’s last available landfill. That twist is Orben’s entertainer instinct at its sharpest: he’s not offering a lecture on emissions, he’s sneaking a grim diagnosis into a punchline you can repeat at a dinner table.
The intent is comic, but the subtext is accusation. Pollution isn’t framed as an abstract “environmental issue”; it’s a trespass. Someone has decided the atmosphere is an open sewer, and the only reason it still “works” is that human beings are involuntarily absorbing the cost. Orben’s gag also spotlights a familiar modern scam: externalities dressed up as normal life. Factories, cars, and convenience get the benefits; your lungs get the bill.
Contextually, Orben came up in an era when one-liner culture thrived on turning public anxiety into portable jokes. Mid-to-late 20th-century America watched smog become visible and then political, with clean-air regulation emerging precisely because the damage was no longer theoretical. The line captures that cultural pivot: once the air is bad enough to be funny, it’s already bad enough to be a scandal.
The intent is comic, but the subtext is accusation. Pollution isn’t framed as an abstract “environmental issue”; it’s a trespass. Someone has decided the atmosphere is an open sewer, and the only reason it still “works” is that human beings are involuntarily absorbing the cost. Orben’s gag also spotlights a familiar modern scam: externalities dressed up as normal life. Factories, cars, and convenience get the benefits; your lungs get the bill.
Contextually, Orben came up in an era when one-liner culture thrived on turning public anxiety into portable jokes. Mid-to-late 20th-century America watched smog become visible and then political, with clean-air regulation emerging precisely because the damage was no longer theoretical. The line captures that cultural pivot: once the air is bad enough to be funny, it’s already bad enough to be a scandal.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
More Quotes by Robert
Add to List








