"There's something about each of my books that I'm really proud of, and there's something about each of my books that I cringe over"
About this Quote
Perfectionism is the quiet roommate of productivity, and Margaret Haddix admits she’s learned to live with it. The line works because it refuses the tidy myth that published books are finished, flawless objects. Instead, they’re time capsules: each one preserves not just a story, but the writer’s skills, blind spots, and limits at the moment of its creation. Pride and cringe aren’t opposites here; they’re proof of motion.
Haddix writes for young readers in genres that demand momentum and clarity, where the pacing has to hit and the emotional beats can’t hide behind abstraction. That’s a pressure cooker for any novelist: you commit to choices that will later feel too blunt, too clever, too rushed, too on-the-nose. The “cringe” isn’t self-loathing so much as a private editorial commentary from a future self who now knows more. It signals growth, the kind that only becomes visible once you’ve put work into the world and moved on.
The subtext is also a gentle rebuttal to the internet-era expectation of constant self-brand polish. Haddix offers a healthier, more realistic creative posture: you can be proud without pretending you nailed everything; you can wince without disowning the work. For aspiring writers, it’s permission to publish imperfectly. For readers, it’s a reminder that books are made by humans, not by immaculate personas.
Haddix writes for young readers in genres that demand momentum and clarity, where the pacing has to hit and the emotional beats can’t hide behind abstraction. That’s a pressure cooker for any novelist: you commit to choices that will later feel too blunt, too clever, too rushed, too on-the-nose. The “cringe” isn’t self-loathing so much as a private editorial commentary from a future self who now knows more. It signals growth, the kind that only becomes visible once you’ve put work into the world and moved on.
The subtext is also a gentle rebuttal to the internet-era expectation of constant self-brand polish. Haddix offers a healthier, more realistic creative posture: you can be proud without pretending you nailed everything; you can wince without disowning the work. For aspiring writers, it’s permission to publish imperfectly. For readers, it’s a reminder that books are made by humans, not by immaculate personas.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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