"There's tons of people with talent; it's the system that's all screwed up"
About this Quote
Talent, in Kricfalusi's framing, is cheap; dysfunction is the real gatekeeper. The line has the blunt, animator-at-2 a.m. clarity of someone who’s watched brilliant drafts die in committee, watched deadlines outrun craft, watched “notes” turn style into beige product. By saying there are “tons” of talented people, he refuses the comforting myth that success is a pure meritocracy. The enemy isn’t scarcity of genius, it’s the machinery that decides what gets made, what gets funded, what gets broadcast, and what gets sanded down until it offends no one.
The phrasing matters: “the system” is deliberately vague, a catch-all for studios, networks, advertising, awards, unions, budgets, gatekeepers, and the cultural pecking order that treats animation as disposable or juvenile until it’s profitable. “All screwed up” is pointedly unpoetic. It’s not a policy paper; it’s a verdict. That everyday profanity signals exasperation with institutional logic that pretends to be rational while routinely rewarding the safe, the familiar, and the schedule-friendly over the weird and the great.
Coming from Kricfalusi, the subtext is also self-indicting and combative. He’s not asking for sympathy; he’s staking a claim that friction is structural, not personal. It’s a creative credo with a political edge: if talent is abundant, then the real crisis is access, control, and the industrial habit of mistaking manageability for quality.
The phrasing matters: “the system” is deliberately vague, a catch-all for studios, networks, advertising, awards, unions, budgets, gatekeepers, and the cultural pecking order that treats animation as disposable or juvenile until it’s profitable. “All screwed up” is pointedly unpoetic. It’s not a policy paper; it’s a verdict. That everyday profanity signals exasperation with institutional logic that pretends to be rational while routinely rewarding the safe, the familiar, and the schedule-friendly over the weird and the great.
Coming from Kricfalusi, the subtext is also self-indicting and combative. He’s not asking for sympathy; he’s staking a claim that friction is structural, not personal. It’s a creative credo with a political edge: if talent is abundant, then the real crisis is access, control, and the industrial habit of mistaking manageability for quality.
Quote Details
| Topic | Justice |
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