"These are classic, perennial ideals we are dealing with"
About this Quote
“Classic” and “perennial” are comfort words: they reassure you that what’s being discussed has survived trends, scandals, and the attention span of the moment. Coming from Rob Morrow, an actor whose most famous work lives in the overlap of brainy comedy and human mess, the line reads like a small defense of seriousness in an industry that constantly sells novelty. It’s a way of telling the audience: relax, this isn’t just a plot mechanic or a prestige pose; the material is tethered to something older and sturdier than the current cultural weather.
The specific intent is pragmatic. In interviews, actors often frame a project’s themes as “timeless” to grant it credibility beyond the press cycle. “We are dealing with” shifts the phrase from marketing to craft: it suggests not sermonizing about ideals but wrestling with them, scene by scene. That verb choice carries a subtle humility, implying the ideals are bigger than the people performing them.
The subtext is also reputational. Calling ideals “classic” inoculates them against charges of being corny, didactic, or politically overdetermined. “Perennial” hints at recurrence: these issues come back because we don’t solve them; we manage them, then fail, then try again. It’s an actor’s way of arguing that character drama still matters when culture is obsessed with hot takes.
Contextually, it’s the kind of line you deploy when asked why audiences should care: not because it’s new, but because it’s familiar in the deepest, most stubborn way.
The specific intent is pragmatic. In interviews, actors often frame a project’s themes as “timeless” to grant it credibility beyond the press cycle. “We are dealing with” shifts the phrase from marketing to craft: it suggests not sermonizing about ideals but wrestling with them, scene by scene. That verb choice carries a subtle humility, implying the ideals are bigger than the people performing them.
The subtext is also reputational. Calling ideals “classic” inoculates them against charges of being corny, didactic, or politically overdetermined. “Perennial” hints at recurrence: these issues come back because we don’t solve them; we manage them, then fail, then try again. It’s an actor’s way of arguing that character drama still matters when culture is obsessed with hot takes.
Contextually, it’s the kind of line you deploy when asked why audiences should care: not because it’s new, but because it’s familiar in the deepest, most stubborn way.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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