"These days, all we hear about is that the industry is in trouble. Everybody is so scared, but our mission statement is having no fear"
About this Quote
Panic is the background music of every entertainment cycle, and Frank Iero is calling it what it is: a narrative that keeps artists obedient. “The industry is in trouble” isn’t just reportage; it’s a pressure tactic. When gatekeepers and headlines repeat crisis talk, they’re really broadcasting scarcity - fewer slots, fewer advances, fewer risks. That atmosphere doesn’t just describe the market, it disciplines behavior: play it safe, sound familiar, don’t make waves.
Iero’s counter is pointedly unglamorous and therefore effective: “our mission statement is having no fear.” The corporate phrase “mission statement” gets repurposed as a punk credo, a small act of sabotage against the language of branding. He’s not pretending fear vanishes; he’s insisting it can’t be the organizing principle. In musician terms, that reads as permission to keep touring when it’s unprofitable, to release work that isn’t optimized for playlists, to treat creative decisions as values-driven rather than market-driven.
The subtext is solidarity, too. “Everybody is so scared” folds in peers and audiences caught in the same doom loop: fans anxious about their scene’s survival, bands competing for shrinking attention, workers bracing for layoffs. Iero’s response doesn’t deny the instability; it reframes the job. If the industry’s health is a weather system you can’t control, the one controllable stance is the refusal to let anxiety dictate the art. That’s how scenes survive: not by waiting for better conditions, but by acting like they’re already here.
Iero’s counter is pointedly unglamorous and therefore effective: “our mission statement is having no fear.” The corporate phrase “mission statement” gets repurposed as a punk credo, a small act of sabotage against the language of branding. He’s not pretending fear vanishes; he’s insisting it can’t be the organizing principle. In musician terms, that reads as permission to keep touring when it’s unprofitable, to release work that isn’t optimized for playlists, to treat creative decisions as values-driven rather than market-driven.
The subtext is solidarity, too. “Everybody is so scared” folds in peers and audiences caught in the same doom loop: fans anxious about their scene’s survival, bands competing for shrinking attention, workers bracing for layoffs. Iero’s response doesn’t deny the instability; it reframes the job. If the industry’s health is a weather system you can’t control, the one controllable stance is the refusal to let anxiety dictate the art. That’s how scenes survive: not by waiting for better conditions, but by acting like they’re already here.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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