"These things are hard to pin down. We work on a script a bit, then work on a different one"
About this Quote
The subtext is practical and slightly defensive in a way that feels very Coen: if you press too hard for meaning or intention, you’ll miss how movies actually get made. Scripts aren’t sacred tablets; they’re living documents shaped by momentum, doubt, financing, actors’ availability, and the creative appetite of the moment. Switching to “a different one” reads like craft survivalism. When a script stalls, you don’t stare at it until it confesses; you rotate the crops.
Context matters because the Coens are famously exacting, yet their films often feel like they’re smirking at exactness itself. This quote quietly explains that paradox. Their control is real, but it’s applied through iteration and misdirection, not grand declarations. The offhand tone also deflates the cultural pressure to assign every project a neat theme, a “why now.” Sometimes the “why” is simpler: you keep moving so the work stays alive, and you let the meanings catch up later.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Coen, Joel. (2026, January 15). These things are hard to pin down. We work on a script a bit, then work on a different one. FixQuotes. https://fixquotes.com/quotes/these-things-are-hard-to-pin-down-we-work-on-a-143088/
Chicago Style
Coen, Joel. "These things are hard to pin down. We work on a script a bit, then work on a different one." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/these-things-are-hard-to-pin-down-we-work-on-a-143088/.
MLA Style (9th ed.)
"These things are hard to pin down. We work on a script a bit, then work on a different one." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/these-things-are-hard-to-pin-down-we-work-on-a-143088/. Accessed 12 Feb. 2026.





