"They baffle me where they go with the storylines... we used to be a Golden Globe winning show"
About this Quote
There’s a particular sting in the way nostalgia turns into a receipt. Jeremy London isn’t just complaining that a show’s plot got messy; he’s flagging a loss of status, a slide from prestige to whatever comes after the awards buzz dies and the writers start chasing heat instead of coherence. “They baffle me” reads like an actor’s polite mask for something sharper: I’m no longer sure this machine knows what it’s doing, and I’m not sure it knows what to do with me.
The key move is the pivot to “we used to be a Golden Globe winning show.” That “we” tries to reclaim ownership of a brand that’s drifted. It’s also a subtle bargaining chip: credibility should purchase a certain level of care. London isn’t arguing from theory; he’s invoking a trophy as proof of an earlier contract between creators and audience: the show promised craft, continuity, and a clear identity. Now the storylines “where they go” feel like decisions made in a different room, for a different show.
As subtext, it’s an industry lament about TV’s midlife crisis. Long-running series often outlive their original vision; cast changes, ratings pressure, and streamer-era escalation can lead to plots that feel engineered for shock rather than character. London’s phrasing captures that whiplash: bafflement as a polite word for alienation. The awards reference isn’t just bragging; it’s grief dressed as credentialism, a way to say: this mattered, it was good, and someone let the wheel slip.
The key move is the pivot to “we used to be a Golden Globe winning show.” That “we” tries to reclaim ownership of a brand that’s drifted. It’s also a subtle bargaining chip: credibility should purchase a certain level of care. London isn’t arguing from theory; he’s invoking a trophy as proof of an earlier contract between creators and audience: the show promised craft, continuity, and a clear identity. Now the storylines “where they go” feel like decisions made in a different room, for a different show.
As subtext, it’s an industry lament about TV’s midlife crisis. Long-running series often outlive their original vision; cast changes, ratings pressure, and streamer-era escalation can lead to plots that feel engineered for shock rather than character. London’s phrasing captures that whiplash: bafflement as a polite word for alienation. The awards reference isn’t just bragging; it’s grief dressed as credentialism, a way to say: this mattered, it was good, and someone let the wheel slip.
Quote Details
| Topic | Writing |
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