"They can certainly expect to be very impressed with the technical aspects of the show, fooled and led up the garden path by the story and ultimately have a jolly good laugh!"
About this Quote
Jameson sells the audience a three-course meal: craft, misdirection, release. The line is pitched like a backstage whisper that still knows it’s on mic, promising professionalism ("technical aspects"), narrative seduction ("fooled and led up the garden path"), and then a clean payoff ("a jolly good laugh"). It’s less a review than a set of instructions for how to watch: trust the machinery, surrender to the plot’s traps, and enjoy being caught.
The slyness sits in that word "fooled". Most marketing copy flatters the viewer’s intelligence; Jameson does the opposite and makes it feel like a perk. Being "led up the garden path" is a uniquely British idiom for cheerful deception, the kind that frames manipulation as consensual play. She’s signaling a genre pleasure: the show isn’t trying to lecture you or impress you with Realism; it’s inviting you into a rigged game where the rigging is the point.
As an actress, Jameson’s intent is also protective. By foregrounding the "technical aspects", she nods to the invisible labor - lighting cues, timing, staging - that makes a twist land and a laugh erupt. The subtext: the production is confident enough to promise sleight-of-hand, because it knows the audience will come for the trick and stay for the timing. In an era when entertainment is often asked to justify itself as "important", this is a small, bracing defense of competence and pleasure.
The slyness sits in that word "fooled". Most marketing copy flatters the viewer’s intelligence; Jameson does the opposite and makes it feel like a perk. Being "led up the garden path" is a uniquely British idiom for cheerful deception, the kind that frames manipulation as consensual play. She’s signaling a genre pleasure: the show isn’t trying to lecture you or impress you with Realism; it’s inviting you into a rigged game where the rigging is the point.
As an actress, Jameson’s intent is also protective. By foregrounding the "technical aspects", she nods to the invisible labor - lighting cues, timing, staging - that makes a twist land and a laugh erupt. The subtext: the production is confident enough to promise sleight-of-hand, because it knows the audience will come for the trick and stay for the timing. In an era when entertainment is often asked to justify itself as "important", this is a small, bracing defense of competence and pleasure.
Quote Details
| Topic | Movie |
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