"They didn't act like people and they didn't act like actors. It's hard to explain. They acted more like they knew they were celebrities and all. I mean they were good, but they were too good"
About this Quote
Salinger’s complaint isn’t about bad acting; it’s about a new kind of performance leaking off the screen and into the world. “They didn’t act like people and they didn’t act like actors” lands as a double indictment: the characters aren’t convincingly human, but the performers also aren’t doing the old-fashioned job of disappearing into a role. They’re broadcasting a third thing - celebrity self-awareness - a wink that says, I know you know who I am.
The line “It’s hard to explain” matters as much as the accusation. It mimics the frustrated clarity of someone trying to name a cultural shift before the vocabulary exists. Salinger, who famously recoiled from publicity, is registering the moment when fame becomes an aura that can’t be edited out, when the audience’s relationship to the performer starts to compete with the story itself.
“I mean they were good, but they were too good” is the real knife. “Too good” suggests a polish so seamless it turns sterile, a virtuosity that reads as calculation. The performance is technically excellent yet spiritually off, because it’s optimized for admiration rather than truth. Salinger’s subtext is moral as much as aesthetic: celebrity doesn’t just distort how we watch; it distorts what gets made, rewarding surfaces that photograph well over emotions that feel risky.
Contextually, it’s a classic Salinger mood: suspicious of phoniness, allergic to the marketplace’s glare, drawn to the imperfect tremor that signals a real person underneath the pose.
The line “It’s hard to explain” matters as much as the accusation. It mimics the frustrated clarity of someone trying to name a cultural shift before the vocabulary exists. Salinger, who famously recoiled from publicity, is registering the moment when fame becomes an aura that can’t be edited out, when the audience’s relationship to the performer starts to compete with the story itself.
“I mean they were good, but they were too good” is the real knife. “Too good” suggests a polish so seamless it turns sterile, a virtuosity that reads as calculation. The performance is technically excellent yet spiritually off, because it’s optimized for admiration rather than truth. Salinger’s subtext is moral as much as aesthetic: celebrity doesn’t just distort how we watch; it distorts what gets made, rewarding surfaces that photograph well over emotions that feel risky.
Contextually, it’s a classic Salinger mood: suspicious of phoniness, allergic to the marketplace’s glare, drawn to the imperfect tremor that signals a real person underneath the pose.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
More Quotes by Salinger
Add to List



