"They have - they do still hit me occasionally, and it's an overwhelming grief for what - even though my life is so good now, even including going through treatment for cancer, my life is incredible"
About this Quote
Grief here isn’t staged as a single, noble event; it’s a symptom that still flares. Redgrave’s halting cadence - the repeated “they have,” the self-correction, the careful “occasionally” - reads like someone catching herself mid-wave. The language isn’t polished because the feeling isn’t. That stutter becomes the point: loss doesn’t resolve into a clean narrative, even for someone trained to deliver lines.
The emotional knife twist is the collision between “overwhelming grief” and “my life is so good now.” Redgrave refuses the cultural script that says happiness cancels sadness, or that a “good life” is a cure. Instead she offers a more adult math: gratitude can coexist with devastation, and it can even sharpen it. The grief is “for what,” an unfinished clause that suggests the real object may be too layered to name neatly - a person, a past self, a family rupture, time itself. By leaving it open, she turns the private into something legible without turning it into a confession.
Then she drops the line that could sound like a press-tour paradox but lands as hard-won clarity: “even including going through treatment for cancer.” It’s not an inspirational pivot; it’s a recalibration of scale. If cancer is folded into “incredible,” then “incredible” isn’t shorthand for ease. It’s a claim about resilience without the usual performance of bravery - a portrait of survival where the grief still gets its turns onstage.
The emotional knife twist is the collision between “overwhelming grief” and “my life is so good now.” Redgrave refuses the cultural script that says happiness cancels sadness, or that a “good life” is a cure. Instead she offers a more adult math: gratitude can coexist with devastation, and it can even sharpen it. The grief is “for what,” an unfinished clause that suggests the real object may be too layered to name neatly - a person, a past self, a family rupture, time itself. By leaving it open, she turns the private into something legible without turning it into a confession.
Then she drops the line that could sound like a press-tour paradox but lands as hard-won clarity: “even including going through treatment for cancer.” It’s not an inspirational pivot; it’s a recalibration of scale. If cancer is folded into “incredible,” then “incredible” isn’t shorthand for ease. It’s a claim about resilience without the usual performance of bravery - a portrait of survival where the grief still gets its turns onstage.
Quote Details
| Topic | Sadness |
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