"They keep the old business. We keep the ongoing business"
About this Quote
A studio boss rarely admits the quiet part out loud, but Weinstein comes close here: the past belongs to the old guard; the future is his territory to monetize. The line reads like a turf-war memo dressed up as swagger, a producer’s way of turning cultural time into real estate. “Old business” isn’t just legacy film libraries or long-tail revenue. It’s the outdated gatekeepers, the comfortable habits, the polite rules. “Ongoing business” is the churn: awards campaigns, talent packaging, distribution leverage, the perpetual now that can be engineered with enough pressure and money.
The phrasing does a lot of work. “They keep” suggests a settled arrangement, almost benevolent, as if power is being politely divided. “We keep” is the tell: possession, control, a locked grip on what matters. The word “ongoing” is especially revealing because it makes dominance sound like motion, and motion sound like inevitability. If you’re the one driving the narrative machine, you’re not just participating in the industry; you’re defining what counts as current, relevant, and worthy of attention.
In context, it fits the Miramax/Weinstein-era playbook: turn “independent” film into a brand, weaponize prestige, and treat culture like a campaign you can win. Knowing what later became public about Weinstein, the subtext darkens. The confidence isn’t just business acumen; it’s entitlement. The quote becomes a snapshot of how control was rationalized: not as coercion, but as “keeping” the present.
The phrasing does a lot of work. “They keep” suggests a settled arrangement, almost benevolent, as if power is being politely divided. “We keep” is the tell: possession, control, a locked grip on what matters. The word “ongoing” is especially revealing because it makes dominance sound like motion, and motion sound like inevitability. If you’re the one driving the narrative machine, you’re not just participating in the industry; you’re defining what counts as current, relevant, and worthy of attention.
In context, it fits the Miramax/Weinstein-era playbook: turn “independent” film into a brand, weaponize prestige, and treat culture like a campaign you can win. Knowing what later became public about Weinstein, the subtext darkens. The confidence isn’t just business acumen; it’s entitlement. The quote becomes a snapshot of how control was rationalized: not as coercion, but as “keeping” the present.
Quote Details
| Topic | Business |
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