"They put it on the page because it sounded good or it looked good or they read it in a book somewhere that this is how you structure a script or something, and they just don't get it. It's surprising"
About this Quote
Culkin is diagnosing a particular kind of creative fraud: the version of “professional” writing that’s basically cosplay. The target isn’t bad taste so much as borrowed taste, the script that feels assembled from templates and workshop advice rather than lived intention. “Sounded good” and “looked good” are damning because they’re aesthetic justifications with no engine behind them. He’s talking about writing that performs competence on the surface - clean structure, the right beats, the familiar cadence - while remaining emotionally and psychologically hollow.
The line lands because Culkin speaks from a weirdly authoritative perch: a former child star who grew up inside manufactured storytelling and has watched adults package sincerity for sale. When he says “they read it in a book somewhere,” he’s puncturing the aspirational belief that craft rules can substitute for comprehension. Craft matters, but he’s pointing at the moment craft turns into mimicry - when structure becomes a protective shell that prevents risk, specificity, or actual point of view.
The casual “or something” and the blunt “they just don’t get it” are doing a lot of work. He’s not performing the polite language of industry notes; he’s calling out a gap in understanding that can’t be fixed with formatting. The final “It’s surprising” carries the real bite: not shock that amateurs imitate, but that people with access, budgets, and gatekeepers still confuse the appearance of writing with the act of saying something.
The line lands because Culkin speaks from a weirdly authoritative perch: a former child star who grew up inside manufactured storytelling and has watched adults package sincerity for sale. When he says “they read it in a book somewhere,” he’s puncturing the aspirational belief that craft rules can substitute for comprehension. Craft matters, but he’s pointing at the moment craft turns into mimicry - when structure becomes a protective shell that prevents risk, specificity, or actual point of view.
The casual “or something” and the blunt “they just don’t get it” are doing a lot of work. He’s not performing the polite language of industry notes; he’s calling out a gap in understanding that can’t be fixed with formatting. The final “It’s surprising” carries the real bite: not shock that amateurs imitate, but that people with access, budgets, and gatekeepers still confuse the appearance of writing with the act of saying something.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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