"They said that Seven was a former Borg who had been human and had been assimilated. She was regaining her humanity. I had no interest in this character"
About this Quote
There is something deliciously blunt about an actor puncturing the mythology of a fan-beloved character with four words: "no interest in this character". Jeri Ryan isn’t critiquing Seven of Nine’s arc so much as exposing the gulf between a pitch and a person. The studio language she recounts is pure franchise shorthand: former Borg, regained humanity, built-in trauma, built-in redemption. It’s a character described like an appliance feature list, engineered to plug into Voyager’s existing themes.
Ryan’s intent feels less like contempt than self-protection. She’s describing the moment before craft kicks in, when a role is still a corporate concept. The subtext: if the only promise is "regaining her humanity", you’re basically signing up to play a metaphor in a catsuit. It signals a familiar anxiety for performers in IP machines: the part may be famous, but it might not be alive.
Context matters: Seven arrived as a strategic pivot, a late-series attempt to jolt attention and reshape the show’s center of gravity. Ryan’s comment quietly rebukes that calculus. It also hints at how good performances often begin in resistance. Actors don’t fall in love with loglines; they fall in love with contradictions, specificities, the strange private logic a character carries. The irony is that Seven ultimately became compelling precisely because Ryan and the writers pushed past the pitch - turning an assimilated "idea" into someone prickly, funny, and deeply social in her own alien way. Her lack of initial interest reads, in hindsight, like an origin story for the work required to make the role worth watching.
Ryan’s intent feels less like contempt than self-protection. She’s describing the moment before craft kicks in, when a role is still a corporate concept. The subtext: if the only promise is "regaining her humanity", you’re basically signing up to play a metaphor in a catsuit. It signals a familiar anxiety for performers in IP machines: the part may be famous, but it might not be alive.
Context matters: Seven arrived as a strategic pivot, a late-series attempt to jolt attention and reshape the show’s center of gravity. Ryan’s comment quietly rebukes that calculus. It also hints at how good performances often begin in resistance. Actors don’t fall in love with loglines; they fall in love with contradictions, specificities, the strange private logic a character carries. The irony is that Seven ultimately became compelling precisely because Ryan and the writers pushed past the pitch - turning an assimilated "idea" into someone prickly, funny, and deeply social in her own alien way. Her lack of initial interest reads, in hindsight, like an origin story for the work required to make the role worth watching.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
More Quotes by Jeri
Add to List


