"They say miracles are past"
About this Quote
"They say miracles are past" is Shakespeare at his most slyly theatrical: a line that pretends to be modest hearsay while quietly teeing up a reversal. The anonymous "they" matters. It’s a little chorus of skeptics, the kind of worldly consensus that claims to be rational, modern, done with wonder. Shakespeare invokes that voice only to undermine it. Once you hear "They say", you can feel the speaker’s eyebrow lift: if miracles are supposedly over, why does the stage keep producing them?
The phrasing is a rhetorical trap. "Miracles" carries religious weight, but Shakespeare uses it as social currency too: the sudden conversion, the improbable reunion, the impossible pardon, the love that arrives out of season. By framing disbelief as fashionable opinion ("are past"), the line hints at an age growing suspicious of enchantment, even as it remains hungry for it. That tension is pure Shakespearean fuel: the audience is invited to enjoy being smarter than the cynics while still indulging the pleasure of being surprised.
Contextually, this sits in a culture where providence and performance overlap. Early modern England is officially Christian and yet increasingly alert to fraud, superstition, and staged marvels. Shakespeare threads that needle by turning the theater itself into a laboratory for "miracles" that don’t demand belief so much as consent. The subtext is less "miracles happen" than "watch how easily certainty collapses when desire, chance, and story collide."
The phrasing is a rhetorical trap. "Miracles" carries religious weight, but Shakespeare uses it as social currency too: the sudden conversion, the improbable reunion, the impossible pardon, the love that arrives out of season. By framing disbelief as fashionable opinion ("are past"), the line hints at an age growing suspicious of enchantment, even as it remains hungry for it. That tension is pure Shakespearean fuel: the audience is invited to enjoy being smarter than the cynics while still indulging the pleasure of being surprised.
Contextually, this sits in a culture where providence and performance overlap. Early modern England is officially Christian and yet increasingly alert to fraud, superstition, and staged marvels. Shakespeare threads that needle by turning the theater itself into a laboratory for "miracles" that don’t demand belief so much as consent. The subtext is less "miracles happen" than "watch how easily certainty collapses when desire, chance, and story collide."
Quote Details
| Topic | Faith |
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