"They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers' work in Saturday Night Live, but I did not know the extent to which he would make this creation"
About this Quote
There is a particular kind of polite understatement actors deploy when they’re about to admit they didn’t see the cultural freight train coming. Michael York’s “appealing and funny” is the language of a consummate professional reading a script as a script, not as the launchpad for a phenomenon. The real energy is in the second sentence: he knew Mike Myers as an SNL talent, a reliable comedy engine, but “did not know the extent” of the transformation Myers would pull off. That phrasing captures the gulf between written material and performance alchemy - the way a character can be engineered in rehearsal, in accent choices, in physicality, in the improvisational seams that aren’t on the page.
York is also subtly positioning himself inside a creative hierarchy. The script arrived; he evaluated; he signed on. Then Myers “would make this creation.” It’s a gracious ceding of authorship to the star-comic, acknowledging that in certain comedies the actor isn’t merely executing a role but manufacturing a world. The subtext is both admiration and a little astonishment: York, a classically trained presence often associated with prestige and period work, is describing the moment he realized he’d been drafted into something less like a film production and more like a character-driven takeover.
Context matters here: SNL alumni in the ’90s routinely expanded sketch sensibilities into movies, but outcomes varied wildly. York’s quote is a neat time capsule of that gamble - the veteran actor sensing promise, then watching Myers scale it into a fully formed pop artifact.
York is also subtly positioning himself inside a creative hierarchy. The script arrived; he evaluated; he signed on. Then Myers “would make this creation.” It’s a gracious ceding of authorship to the star-comic, acknowledging that in certain comedies the actor isn’t merely executing a role but manufacturing a world. The subtext is both admiration and a little astonishment: York, a classically trained presence often associated with prestige and period work, is describing the moment he realized he’d been drafted into something less like a film production and more like a character-driven takeover.
Context matters here: SNL alumni in the ’90s routinely expanded sketch sensibilities into movies, but outcomes varied wildly. York’s quote is a neat time capsule of that gamble - the veteran actor sensing promise, then watching Myers scale it into a fully formed pop artifact.
Quote Details
| Topic | Movie |
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