"They used to photograph Shirley Temple through gauze. They should photograph me through linoleum"
About this Quote
Bankhead’s joke lands because it’s both a compliment to Shirley Temple and a controlled act of self-sabotage. In old Hollywood, “gauze” wasn’t just fabric; it was a whole ideology of feminine perfection, a soft-focus lie that made faces glow and flaws disappear. Temple, the child star sold as national sunshine during the Depression, got the full fantasy treatment. Bankhead, by contrast, wants linoleum: hard, shiny, unforgiving, the stuff of kitchens and corridors, not boudoirs. The punchline turns glamour inside out.
The intent is comic, but the subtext is a dare. Bankhead is announcing she won’t compete on the same playing field as Hollywood ingénues. If the industry’s default setting is to prettify women into dream objects, she’s offering an anti-dream: a grown woman with appetites, edges, and mileage, refusing to apologize for the wear-and-tear of living loudly. Linoleum is also faintly industrial, a little vulgar in the best way, implying she’d rather be seen as durable than delicate.
Context matters: Bankhead’s public persona was famously brash, sexually ambiguous by the era’s standards, and defiantly theatrical. She’s not confessing insecurity so much as weaponizing it, turning potential critique (age, hard living, not “sweet”) into a punchline she controls. It’s a one-liner that performs autonomy: if you’re going to look at me, look without the veil. I’m not your gauzy illusion; I’m the real surface you walk on.
The intent is comic, but the subtext is a dare. Bankhead is announcing she won’t compete on the same playing field as Hollywood ingénues. If the industry’s default setting is to prettify women into dream objects, she’s offering an anti-dream: a grown woman with appetites, edges, and mileage, refusing to apologize for the wear-and-tear of living loudly. Linoleum is also faintly industrial, a little vulgar in the best way, implying she’d rather be seen as durable than delicate.
Context matters: Bankhead’s public persona was famously brash, sexually ambiguous by the era’s standards, and defiantly theatrical. She’s not confessing insecurity so much as weaponizing it, turning potential critique (age, hard living, not “sweet”) into a punchline she controls. It’s a one-liner that performs autonomy: if you’re going to look at me, look without the veil. I’m not your gauzy illusion; I’m the real surface you walk on.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Quote attributed to Tallulah Bankhead — listed on the Wikiquote page 'Tallulah Bankhead'. Original primary source not specified on that page. |
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