"They were very considerate, I must say. Every time I felt I was about to slip out of these fingers and would yell for help, they'd let me down and re-organize things"
About this Quote
There is a sly survival story tucked inside that polite little “I must say.” Fay Wray frames danger as courtesy, turning what could be a trauma anecdote into a deadpan performance about power: other people control the grip, and the person in peril is expected to be grateful for their timing. The line works because it weaponizes understatement. “Very considerate” is the kind of phrase you’d use for a host who refills your glass, not for someone who’s literally holding your life in their hands. That mismatch generates the bite.
The image of “fingers” is doing double duty. On the surface it’s physical, recalling Wray’s most famous cultural imprint: the screaming heroine in King Kong, repeatedly seized, dangled, and rescued on someone else’s schedule. Underneath, it’s the industry itself. Actors get held, dropped, repositioned. You “yell for help” (advocate for yourself, push back, ask for safety) and the machinery pauses just long enough to “re-organize things,” then resumes the same basic arrangement with a fresh coat of professionalism.
Wray’s choice to narrate it as almost comic etiquette is not denial; it’s a strategy. In old Hollywood, candor could cost you work, and women especially were trained to transmute discomfort into charm. The quip lets her tell the truth while still sounding like she’s playing along. That’s the subtext: a performer describing control and precarity, smiling just enough to get away with it.
The image of “fingers” is doing double duty. On the surface it’s physical, recalling Wray’s most famous cultural imprint: the screaming heroine in King Kong, repeatedly seized, dangled, and rescued on someone else’s schedule. Underneath, it’s the industry itself. Actors get held, dropped, repositioned. You “yell for help” (advocate for yourself, push back, ask for safety) and the machinery pauses just long enough to “re-organize things,” then resumes the same basic arrangement with a fresh coat of professionalism.
Wray’s choice to narrate it as almost comic etiquette is not denial; it’s a strategy. In old Hollywood, candor could cost you work, and women especially were trained to transmute discomfort into charm. The quip lets her tell the truth while still sounding like she’s playing along. That’s the subtext: a performer describing control and precarity, smiling just enough to get away with it.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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