"They're sheep. They like Bush enough to credit him with saving the nation after 9/11. Three thousand people get killed, and everybody thinks they're next on the list. The president comes along, and he's got his six-guns strapped on, and people think he's going to save them"
About this Quote
Asner aims straight at the soft underbelly of post-9/11 America: the way fear turns citizenship into spectatorship. Calling people "sheep" is deliberately abrasive, less a sociological diagnosis than a provocation - a way to shame an audience out of reflexive loyalty. The line is built on contempt for how quickly trauma can be converted into a permission slip for power.
The quote works because it stages a little movie in your head. The "three thousand people" is the unblinking fact, the body count that no one can argue away. Then Asner pivots to the psychological overreach: "everybody thinks they're next". It's an indictment of the gap between actual risk and felt vulnerability, the space where political narratives thrive. Enter Bush with "six-guns strapped on" - not policy, not competence, but costume. Asner frames the presidency as Western theater: the sheriff rides in, the townsfolk exhale, and the story becomes about the hero, not the damage.
Subtext: the public isn't merely misled; it wants to be. The fantasy of a protector is comforting, and it launders complexity into a simple plot of good guys and bad guys. In the early War on Terror context - flag-waving unity, soaring approval ratings, the rush toward Iraq, the branding of dissent as disloyalty - Asner is attacking the cultural demand for toughness as a substitute for clarity. He's not just criticizing Bush; he's warning how easily a nation can be steered when fear makes performance feel like safety.
The quote works because it stages a little movie in your head. The "three thousand people" is the unblinking fact, the body count that no one can argue away. Then Asner pivots to the psychological overreach: "everybody thinks they're next". It's an indictment of the gap between actual risk and felt vulnerability, the space where political narratives thrive. Enter Bush with "six-guns strapped on" - not policy, not competence, but costume. Asner frames the presidency as Western theater: the sheriff rides in, the townsfolk exhale, and the story becomes about the hero, not the damage.
Subtext: the public isn't merely misled; it wants to be. The fantasy of a protector is comforting, and it launders complexity into a simple plot of good guys and bad guys. In the early War on Terror context - flag-waving unity, soaring approval ratings, the rush toward Iraq, the branding of dissent as disloyalty - Asner is attacking the cultural demand for toughness as a substitute for clarity. He's not just criticizing Bush; he's warning how easily a nation can be steered when fear makes performance feel like safety.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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