"Think left and think right and think low and think high. Oh, the thinks you can think up if only you try!"
About this Quote
A singsong invitation to mental mischief, this line is Dr. Seuss smuggling a philosophy of imagination into a child-sized cadence. The genius isn’t in the encouragement to “think” (every adult says that) but in the way Seuss expands the map of what thinking can be: left and right, low and high. The pairings are almost cartoonish coordinates, like a body wobbling in every direction at once, and that’s the point. He’s replacing the narrow idea of “correct” thought with a playful sense of possibility, where exploring extremes isn’t dangerous or deviant but necessary to discovery.
The subtext is gently radical: permission. Kids are constantly trained to color inside lines, to answer the question that’s been asked, to earn approval by choosing the expected option. Seuss proposes a different metric - effortful curiosity. “If only you try” is doing more work than it seems. It frames imagination not as an inborn gift some children magically have, but as a practice, something you can build by pushing past the first obvious thought.
Context matters, too. Seuss wrote in a mid-century America that prized conformity and clean narratives - in classrooms, in politics, in family life. His books often look like nonsense until you notice how consistently they rehearse independence, skepticism, and creative resilience. This line turns creativity into a kind of civic muscle: the ability to move your mind around, to consider opposites, to invent alternatives when the world insists there are only two choices.
The subtext is gently radical: permission. Kids are constantly trained to color inside lines, to answer the question that’s been asked, to earn approval by choosing the expected option. Seuss proposes a different metric - effortful curiosity. “If only you try” is doing more work than it seems. It frames imagination not as an inborn gift some children magically have, but as a practice, something you can build by pushing past the first obvious thought.
Context matters, too. Seuss wrote in a mid-century America that prized conformity and clean narratives - in classrooms, in politics, in family life. His books often look like nonsense until you notice how consistently they rehearse independence, skepticism, and creative resilience. This line turns creativity into a kind of civic muscle: the ability to move your mind around, to consider opposites, to invent alternatives when the world insists there are only two choices.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Dr. Seuss, Oh, the Thinks You Can Think! (children's book), 1975 , opening lines containing the quoted couplet. |
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