"Think of all the really successful men and women you know. Do you know a single one who didn't learn very young the trick of calling attention to himself in the right quarters?"
About this Quote
Success, Jameson suggests, is less a crown than a spotlight, and the real skill is knowing where to aim it. Her question lands like a social trap: you start mentally scanning your Rolodex of “successful” people and, almost inevitably, find a pattern of early self-promotion. The line isn’t praising ambition so much as puncturing the comforting myth that talent rises on its own, carried aloft by pure merit.
The phrase “the trick” is doing quiet, devastating work. It reframes what polite society calls networking, confidence, or “putting yourself out there” as a learned sleight of hand: performative, strategic, maybe even faintly unscrupulous. Jameson is alert to the way attention functions as currency, and how early some people learn to spend it well. “Very young” isn’t incidental; it points to class training, schooling, and family cues, the soft skills absorbed before anyone can name them. The most consequential advantages arrive disguised as personality.
Then there’s “in the right quarters,” a scalpel aimed at gatekeeping. Not all attention counts equally; the crowd’s applause is cheap if the decision-makers aren’t listening. Jameson’s subtext is institutional: success is brokered through rooms with rules, and the winners are the ones who can enter, or at least be seen from the doorway. As a writer who watched reputations get made and unmade by editors, patrons, and social circles, she’s mapping an ecosystem where visibility is not vanity but survival.
It’s a cynical sentence, but also a clarifying one: if the game runs on attention, pretending otherwise only protects the house.
The phrase “the trick” is doing quiet, devastating work. It reframes what polite society calls networking, confidence, or “putting yourself out there” as a learned sleight of hand: performative, strategic, maybe even faintly unscrupulous. Jameson is alert to the way attention functions as currency, and how early some people learn to spend it well. “Very young” isn’t incidental; it points to class training, schooling, and family cues, the soft skills absorbed before anyone can name them. The most consequential advantages arrive disguised as personality.
Then there’s “in the right quarters,” a scalpel aimed at gatekeeping. Not all attention counts equally; the crowd’s applause is cheap if the decision-makers aren’t listening. Jameson’s subtext is institutional: success is brokered through rooms with rules, and the winners are the ones who can enter, or at least be seen from the doorway. As a writer who watched reputations get made and unmade by editors, patrons, and social circles, she’s mapping an ecosystem where visibility is not vanity but survival.
It’s a cynical sentence, but also a clarifying one: if the game runs on attention, pretending otherwise only protects the house.
Quote Details
| Topic | Success |
|---|---|
| Source | Help us find the source |
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